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Shared digital futures: partnership and meaning-making in newly digitised collections.

共享数字未来：新数字化馆藏中的伙伴关系和意义创造。

基本信息

批准号：
AH/X002969/1
负责人：
Carl Warner
金额：
$ 4.13万
依托单位：
Imperial War Museums
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2022
资助国家：
英国
起止时间：
2022 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FX002969%2F1
关键词：
Shared digital futures partnership meaning

项目摘要

Can inclusive, partnership-based interpretive curation methods be run alongside museum archiving and preservation processes, rather than after the material has been selected and presented to the public as viewable digital assets? Drawing on the lessons learned in the recent provisional semantics project, Shared digital futures: partnership and meaning-making in newly digitised collections, takes an experimental, partnership model to bring a diverse range of perspectives to bear on collections that are 'fresh out of the oven' - newly digitised, with skeleton records to achieve basic archival clarity but lacking any optimisation or interpretation to provide or curate meaning. A PI and CI at IWM will, in collaboration with a CI at the Delfina Foundation (whose pioneering Collecting as Practice approach unpacks issues relating to the ways in which collections are shaped, maintained and framed), select three artist, researcher or curator practitioners to: - Expose the AHRC-funded digitised material (currently nearly 400 films and counting) to scrutiny by a CI team with experience and perspectives lacking in IWM's teams, with support from a museum PI team.- With the CI teams, develop experimental documentation and interpretation for material selected for deeper analysis by those CI and PI teams via conversation and collaboration with user-groups, showcasing that interpretation via both existing IWM online collections facilities and a specific section of the IWM website.- Redraft the methodology for selecting and prioritising new phases of curatorially/research-driven digitisation as a result of co-investigation of both early methods and the lessons learned through the documentation produced in the project's journey (curatorial rationale for digitisation accounts for approximately 40% of the Digital Futures output - 60% is motivated by immediate preservation needs. 100% of the material has yet to be interpreted.) - Build capability to ensure that this process and way of thinking is embedded within the full lifecycle of the Digital Futures project - and subsequent projects, empowering a diverse range of people who will work in partnership with the museum to refine and continually reassess the project - from selection, through documentation and interpretation, to public outputs.- Collaboratively engage community voices in interpretation of archival collections and to interrogate and discuss collections and the systems and processes which govern their care and use (including how they are interpreted for the public) and engage broader practitioners and researchers to interrogate and discuss collections and the systems and processes which govern their care and use (including how they are interpreted for the public)The legacy of the project funding will be incrementally more diversely-informed selection of material for digitisation and interpretation; diverse perspectives added at the formative stage of documentation in collaboration with museum teams; and greater opportunities for agile and immediate public programme outputs to appeal to a wider and more diverse audience, specifically:- Communities connected to conflict by experience, circumstance or identity, engaged via consultation and creative engagement workshops- User groups of community archives (e.g. members of IWM's War and Conflict Subject Specialist Network and listed archives at communityarchives.org.uk)- Artists and researchers led by the Collecting as Practice CIs, reaching beyond the project team- Sector audiences, reaching 500+ UK and international members of IWM's War and Conflict Subject Specialist Network sharing lessons learnt via blog posts and holding online discussion event to explore key questions raised by the project.

包容性的、基于合作伙伴关系的解释性馆藏方法是否可以在博物馆存档和保存过程中运行，而不是在材料被选择并作为可查看的数字资产向公众展示之后运行？借鉴最近的临时语义学项目--共享数字未来：新数字化藏品中的伙伴关系和意义创造--采取了一种试验性的伙伴关系模式，将各种不同的视角应用于那些“新鲜出炉”的藏品--新数字化的藏品，带有骨架记录，以实现基本的档案清晰度，但缺乏任何优化或解释来提供或策划意义。IWM的PI和CI将与Delfina基金会的CI合作(其开创性的收藏即实践方法解决了与藏品形成、维护和装框的方式有关的问题)，挑选三名艺术家、研究人员或策展人从业者：-在博物馆PI团队的支持下，将AHRC资助的数字化材料(目前有近400部胶片和仍在继续)由CI团队进行审查，该团队缺乏IWM团队的经验和视角。-与CI团队一起，通过与用户组的对话和合作，为那些CI和PI团队选择的材料制定实验文档和解释，以便进行更深入的分析，通过现有的IWM在线收藏设施和IWM网站的一个特定部分展示这种解释。-重新起草选择和优先处理策展/研究驱动的数字化新阶段的方法，这是对早期方法和从项目过程中产生的文件中吸取的教训进行共同调查的结果(数字化的策展基本原理约占数字未来产出的40%-60%是出于直接的保存需求。100%的材料仍有待解释。)-建立能力，以确保这种过程和思维方式嵌入数字未来项目和后续项目的整个生命周期，使将与博物馆合作的各种人员能够改进并不断重新评估项目-从选择、文件编制和解释，--协作地让社区声音参与对档案收藏的解释，并审问和讨论收藏以及管理其保管和使用的系统和程序(包括如何向公众解释)，并让更广泛的从业人员和研究人员询问和讨论收藏及其保管和使用的系统和程序(包括如何向公众解释)。项目资金的遗产将逐渐成为信息更加多样化的数字化和口译材料的选择；与博物馆团队合作，在文件形成阶段增加了不同的观点；为灵活和直接的公共计划产出提供更多的机会，以吸引更广泛和更多样化的受众，特别是：-通过协商和创造性参与讲习班与冲突有关的社区-社区档案的用户群体(例如IWM战争和冲突主题专家网络的成员和社区档案.org.uk中列出的档案)-由收藏家领导的艺术家和研究人员作为实践CI，超越项目团队部门的受众，接触到IWM战争和冲突主题专家网络的500多名英国和国际成员，通过博客帖子分享经验教训，并举行在线讨论活动，探讨项目提出的关键问题。