Towards Artists' Moving Image: Film and Cinematic Consciousness, Britain 1896-1966

迈向艺术家的移动影像：电影和电影意识，英国 1896-1966

• 批准号: 1786878
• 金额: --
• 依托单位: Royal College of Art
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2016
• 资助国家: 英国
• 起止时间: 2016 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-1786878
• 关键词: Towards; Artists; Moving; Image; Film

This thesis will examine the impact of moving image technology and culture for artists and on artworks produced in Britain during the period 1896 (when the first film screening was held in the UK) to 1966 (the year in which London Filmmaker's Cooperative was founded and the point of departure for most existing studies on artists' moving image). The subject is essentially cross-disciplinary and will incorporate research into instances where film form and theory influence traditional artistic media of painting, sculpture and printmaking (extending into Graphic Design and textiles applications where relevant) alongside research into instances of artists working both in avant-garde or experimental film production and in a commercial context. The research questions driving my enquiry are: how did art and the moving image affect one another in the first half of the twentieth century in Britain? What new ideas and activities developed as a result of this process? What individuals and institutions flourished within and shaped this development? How did the mediate the reception and interpretation of relevant work?

本论文将探讨从1896年（英国第一次电影放映）到1966年（伦敦电影人合作社成立的那一年，也是大多数关于艺术家动态影像研究的出发点）这段时间内，动态影像技术和文化对艺术家和英国艺术品的影响。该主题基本上是跨学科的，并将研究纳入电影形式和理论影响绘画，雕塑和版画传统艺术媒体的实例（延伸到平面设计和纺织品应用相关），同时研究艺术家在前卫或实验电影制作和商业背景下工作的实例。驱使我进行研究的问题是：在英国，艺术和运动影像在世纪上半叶是如何相互影响的？在这一进程中产生了哪些新的想法和活动？哪些个人和机构在其中蓬勃发展并塑造了这一发展？调解员是如何接待和解释相关工作的？

项目成果

Colour and Kinesis

颜色和运动

• 发表时间: 2020
• 期刊: Tate Etc.
• 作者: Fraser, I.