Pigment-additive interactions in synthetic emulsion materials and implications for the conservation of modern and contemporary art.

从研究保护技术开始。使用合成丙烯酸乳胶漆的当代/现代艺术作品所需的清洗和分析技术。溶剂/水溶液在丙烯酸乳液材料表面的工艺应用是从20世纪50年代开始发展起来的。前后对比分析，采用FTIR光谱法。其次目视分析不同颜料、牌号的合成丙烯酸乳液。分析艺术家从丙烯颜料到画布的运用方法。从丙烯酸稀释到更浓的应用。颜色的深度包括视觉上的颜色损失，微观上的颜色损失以及振动光谱的应用，使用FTIR光谱。外部因素如何影响丙烯酸乳胶漆，包括温度。冷热环境的差异，湿度如何随着时间的推移影响丙烯酸乳液。光（天然和合成）、污垢、油（处理帆布/油漆）和空气污染导致的老化。使用潮湿的条件会增加霉菌或其他微生物因素的发展吗？什么添加剂可以用来吸收这些因素的损失。以上这些因素的含义将有助于保存使用丙烯酸涂料的当代艺术作品。使用多种分析技术，包括振动光谱，扫描电镜和XOS和NEXAFS。紫外分析的应用可以影响合成乳剂的外观和模拟老化进行对比分析。与使用自然光的实时分析进行比较，以对比视觉和化学成分。发展使用拉伸分析的散装分析技术的实践和理论知识。使用拉伸分析来确定丙烯酸乳液涂料的厚度、耐久性、柔韧性和耐风化性（热损伤方面）。使用紫外分析进行比较使用从理论上50年的时间到实时进行比较。添加剂，特别是表面活性剂，如何迁移，分散和影响艺术品的保存。这与每个特定品牌有何不同，对底漆、清漆（光泽和哑光）和改变物理外观和化学成分的介质的分析。用于深入颜料和表面分析。粘合剂、底漆和添加剂的化学成分。有机材料与颜料的相互作用如何改变前面提到的，以帮助保存当代艺术作品。用FTIR光谱和PyGCMS分析有机颜料，以确定标记物，以便建立一个参考“库”，用于特定艺术家的比较分析。可能;大卫·霍克尼，杰里米·穆恩和马克·罗斯科或其他艺术家的艺术作品，自20世纪50年代以来使用丙烯酸乳胶漆。用钻石光同步加速器对一幅当代丙烯乳胶漆绘画进行深入分析。x射线可以显示比某些分析技术多一万倍的信息。新的发现可能会推动现当代艺术品保护领域的发展。最近的艺术分析1876年，埃德加·德加的“一个女人的肖像”发现了一些有趣的工作。虽然这件艺术品使用的是油画介质。它确实提到了铅的化学迁移。表面活性剂的迁移，颜料的应用，以及这些信息将如何促进使用丙烯酸介质的当代/现代艺术品的保护。

Beginning initially with research into Conservation techniques. The cleaning and analysis techniques required for the contemporary/modern works of arts with synthetic acrylic emulsion paints. The process application of solvents/aqueous solutions on the surface of acrylic emulsion material developed since the 1950's. Comparative analysis before and after, using FTIR Spectroscopy. Secondly the visual analysis of different pigments, brands of the synthetic acrylic emulsions. Analysis of the artists methods from the application of the acrylic medium to the canvas. From the dilution of the acrylics to a thicker application. The depth of colour including loss of colour visually, microscopically and the application of vibrational spectroscopy, using FTIR Spectroscopy. How external influences affect the acrylic emulsion paints including temperature. The differences between heat and cold environments, how the humidity can affect the acrylic emulsion over time. The ageing with light (natural and synthetic), dirt, oils (handling of the canvas/paints) and air pollution. Would the use of damp conditions increase the development of mould or other microbiological factors. What additives can be used to incorporate the loss of these factors. The implication of these factors above will aid in the preservation of contemporary works of art using Acrylic paints. Using a variety of analytical techniques including Vibrational spectroscopy, SEM and XOS and NEXAFS. The application of UV analysis can affect the appearance and mimic ageing for comparative analysis of synthetic emulsions. Compare against real time analysis using natural light for the contrast in visual and chemical composition. Developing practical and theoretical knowledge of bulk analytical techniques using tensile analysis. The use of tensile analysis to determine thickness, endurance, flexibility and the resistance to weathering (in terms of heat damage) of the acrylic emulsion paints. The use of UV analysis for comparative uses from theoretically 50 years time to real time for comparisons. How additives with particular focus on surfactants that can migrate, dispersing and affect the preservation of the artwork. How this differ from each particular brand, analysis of primers, varnishes (gloss and matt) and mediums that alter the physical appearance and chemical composition. For in depth pigment and surface analysis. The chemical composition of the binders, primers and additives. How the interactions of the organic materials with the pigments could alter the previously mentioned to aid in the preservation of the contemporary works of art. Analysing organic pigments with FTIR Spectroscopy and PyGCMS to identify markers in order to build up a reference 'library' for comparative analysis of particular artists. Possibly; David Hockney, Jeremy Moon and Mark Rothko or another artists work of art, using the acrylic emulsion paint since the 1950s. In depth analysis of a contemporary painting using acrylic emulsion paint with the synchrotron at Diamond light. The X-ray beams would show up to 10,000 times information then some analytical techniques. New discoveries could advance the conservation field in the preservation of the modern/contemporary works of art. Recent art analysis of 1876, Edgar Degas' 'Portrait of a Woman' has unearthed some interesting work. Although this work of art uses the oil medium. It does draw reference to the chemical migration of lead. The application of the surfactants migration, the pigments and how this information would advance the conservation of contemporary/moderns works of art using the acrylic medium.