Theories of the digital posit and new understandings of the body and materiality, and new technologies posit new bodies and new materialities.

子问题数字场景如何扩展观众的身体能力？我们如何概念化物理和视觉场景空间的同时体验？身体和环境如何在数字场景中相互作用和影响？我们能建立一个后人类的透视体验的理论吗？这些问题对透视摄影和身体之间的关系有什么更广泛的意义？我想发展一种关于舞台布景体验的后人类理论，并在此过程中建立在关于舞台布景如何对其观众产生影响的学术基础上。拟议的实践为主导的博士学位将借鉴数字理论，认为新技术开辟了新的感知模式，并使现有的体现概念问题化，将这些理论与现有的围绕观众体验的话语结合在一起。这种理论方法将与一系列沉浸式物理和虚拟透视空间重叠的中间表演一起发展。

Sub questionsHow do digital scenographies extend the bodily capacities of audiences?How do we conceptualise the simultaneous experience of physical and vitual scenograhic space?How do body and environment act on and affect one another in the context of digital scenographies?Can we theorise a post-human experience of scenography?What might these questions mean for the relationship between scenography and the body more broadly?I would like to develop a post-human theory of the experience of scenography, and in doing so to build upon the scholarship on how scenography operates on its audience. The proposed practice-led PhD will draw on theories of the digital that argue that new technologies open up new modes of perception and problematize existing notions of embodiment, bringing these theories together with existing discourses around the audience experience of scenography. This theoretical approach will be developed alongside a series of intermedial performances where immersive physical and virtual scenographic spaces overlap.