Transcribing Environmental Sound: The Acoustics of Post-industrial Space

我打算写一本创新的有声诗歌作品集，使用前工业空间的现场录音和录音。本研究将探讨一个实验性的三阶段创作过程，即听、写、演。专注于两位诗人-爱丽丝奥斯瓦尔德和佐伊Skoulding -谁探索环境的声音在他们的组成，写作和性能的过程中，我的陪同30,000字的关键论文将调查诗意的反应和表示的时间性质去工业化的听觉环境。

I propose to write an innovative collection of audio-poetic works composed using field recordings of former industrial spaces and recorded voice. This practice-based research will explore an experimental three-stage creative process of listening, transcription and performance. Focusing on two poets - Alice Oswald and Zoë Skoulding - who explore environmental sound in their composition, writing and performance processes, my accompanying 30,000-word critical thesis will investigate poetic responses to and representations of the temporal nature of de-industrialised auditory environments.