Architecture of the Twice-Performed: Traces of Serious Play in Intangible Space

“自拍工厂”已经开始演变为一种新的建筑类型学。这些空间被正式命名为“博物馆”，但实际上是展览空间和自我剧院的混合体。博物馆本身也在努力理解这些受Instagram启发的游乐场，这些游乐场似乎鼓励游客扮演策展人、艺术家和表演者的角色，捕捉自己的图像，同时模仿那些以前经历过的人。物理上，这些空间是暂时的，但即使物理空间被重新配置或拆除，数字空间仍然是地理标记的位置，形成一个不可磨灭的无形的物理-虚拟混合体。这些有形和无形的结合经常被批评为肤浅和放纵的症状，并建议试图捕捉我们自己的经验的图像实际上威胁到我们的经验的质量。这项研究的目的是建立这些新的，自我策划和自我构建的物理-数字空间可能有助于当代对seld意义的理解，以及博物馆如何最好地应对这些新的思考机会，通过“严肃游戏”的行为集体反映和居住在公共领域

'Selfie factories' have begun to evolve as a new architectural typology. They are spaces which are officially branded as 'museums' but are in reality a hybrid of exhibition spaces and theatres-of-the-self. Museums themselves are struggling to make sense of these Instagram inspired playgrounds which seem to encourage the visitor to take on the role of curator, artist and performer, capturing their own images while mimicking those who have experienced them before. Physically, these spaces are temporary, but even as physical space is reconfigured or dismantled, digital place remains geo-tagged to the location, forming an indelible yet intangible physical-virtual hybrid. These combinations of the tangible and the intangible are often criticised as symptomatic of superficiality and indulgence, with suggestions that the attempt to capture images of our own experience actually threatens the quality of our experience as such.The purpose of this study is to establish how these new, self-curated and self-constructed physical-digital spaces might contribute to the contemporary understanding of the sense of seld and how museums might best respond to these new opportunities to think, reflect and inhabit the public realm collectively through acts of 'serious play'