Architecture of the Twice-Performed: Traces of Serious Play in Intangible Space

两次表演的建筑：无形空间中严肃游戏的痕迹

• 批准号: 2269993
• 金额: --
• 依托单位: University of Nottingham
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2269993
• 关键词: Architecture; Twice; Performed; Traces; Serious

'Selfie factories' have begun to evolve as a new architectural typology. They are spaces which are officially branded as 'museums' but are in reality a hybrid of exhibition spaces and theatres-of-the-self. Museums themselves are struggling to make sense of these Instagram inspired playgrounds which seem to encourage the visitor to take on the role of curator, artist and performer, capturing their own images while mimicking those who have experienced them before. Physically, these spaces are temporary, but even as physical space is reconfigured or dismantled, digital place remains geo-tagged to the location, forming an indelible yet intangible physical-virtual hybrid. These combinations of the tangible and the intangible are often criticised as symptomatic of superficiality and indulgence, with suggestions that the attempt to capture images of our own experience actually threatens the quality of our experience as such.The purpose of this study is to establish how these new, self-curated and self-constructed physical-digital spaces might contribute to the contemporary understanding of the sense of seld and how museums might best respond to these new opportunities to think, reflect and inhabit the public realm collectively through acts of 'serious play'

“自拍工厂”已经开始发展成为一种新的建筑类型。这些空间被官方称为“博物馆”，但实际上是展览空间和自我剧院的混合体。博物馆本身正在努力理解这些受 Instagram 启发的游乐场，这些游乐场似乎鼓励游客扮演策展人、艺术家和表演者的角色，捕捉自己的图像，同时模仿那些曾经经历过的人。从物理上讲，这些空间是临时的，但即使物理空间被重新配置或拆除，数字场所仍然带有地理标记，形成了不可磨灭但无形的物理与虚拟混合体。这些有形和无形的组合经常被批评为肤浅和放纵的症状，有人认为试图捕捉我们自己经历的图像实际上威胁到了我们的体验质量。这项研究的目的是确定这些新的、自我策划和自我构建的物理数字空间如何有助于当代对自我意识的理解，以及博物馆如何最好地应对这些思考、反映和居住的新机会。 通过“严肃的游戏”行为共同进入公共领域