Sentio ergo sum. Investigating the Corporeal in Artists' Films and Moving Image Installations

Sentio ergo sum。

• 批准号: 2274242
• 金额: --
• 依托单位: University of Cambridge
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2274242
• 关键词: Sentio; ergo; sum.; Investigating; Corporeal

My main objective of this research is to explore artists' films and moving image installations that aim to intensifycorporeal sensations and to discuss a necessity for such experiential sites now. "Sentio ergo sum. Investigating theCorporeal in Artists' Films and Moving Image Installations" seeks to consider affect as a powerful means to stimulate asensation of one's own corporeality, and also observes its philosophical implications. By approaching it through mediaarchaeology and film studies, my research would focus on investigating how spectators' bodies relate to moving image,and how this medium can evoke the bodily itself to the viewer by stimulating their sensory perception. Projected light as acarrier of an image is a unifying element that also enables creative correlations between the moving image and thebaroque aesthetics as a phenomenon which is lived and felt from within. This research will contribute to the studies ofhaptic visuality and sensuality in film and screen studies by merging media archaeology, philosophy, contemporary art,and baroque aesthetics in order to investigate the potential of moving image installations to function as sites for anexperiential critique of the established modes of sensation in the contemporary media environments.

我这项研究的主要目的是探索艺术家的电影和移动图像装置，旨在强化身体上的感觉，并讨论现在建立这样的体验式场所的必要性。《感觉和--在艺术家的电影和活动影像装置中探索肉体》试图将情感视为刺激自身肉体现实的一种强有力的手段，并观察其哲学含义。通过媒介考古学和电影研究，我的研究将集中在调查观众的身体如何与运动图像相关，以及这种媒介如何通过刺激观众的感官知觉来唤起观众的身体本身。投射光作为图像的载体是一个统一的元素，它也使运动图像和巴洛克美学之间的创造性关联成为一种从内部生活和感受的现象。这项研究将通过融合媒体考古学、哲学、当代艺术和巴洛克美学，为电影和银幕研究中的触觉视觉和感官研究做出贡献，以探索移动图像装置作为对当代媒体环境中既定感觉模式的经验性批评的场所的潜力。

项目成果

Towards Experiential Critique of the Capitalocene. Rethinking Immersion in Moving Image Installations by Rachel Rose, Sondra Perry and Hito Steyerl

对资本世的经验批判。

• DOI: 10.17863/cam.106185
• 发表时间: 2023
• 作者: Kincinaityte G