Sentio ergo sum. Investigating the Corporeal in Artists' Films and Moving Image Installations

本研究的主要目的是探讨艺术家的电影和活动影像装置，旨在加强correctness的感觉，并讨论这种经验的网站现在的必要性。“Sentio ergo sum.研究艺术家电影和动态影像装置中的身体感觉”试图将影响视为一种强有力的手段，以刺激对自己身体的感觉，并观察其哲学含义。通过媒介考古学和电影研究来接近它，我的研究将集中在调查观众的身体如何与运动图像相关，以及这种媒介如何通过刺激观众的感官知觉来唤起他们的身体本身。投射光作为图像的载体是一个统一的元素，它也使活动图像和巴洛克美学之间的创造性联系成为一种生活和感受的现象。这项研究将有助于研究的触觉视觉和感官在电影和屏幕研究，通过合并媒体考古学，哲学，当代艺术，巴洛克美学，以调查潜在的移动图像装置作为网站的经验批判的感觉在当代媒体环境中的既定模式。

My main objective of this research is to explore artists' films and moving image installations that aim to intensifycorporeal sensations and to discuss a necessity for such experiential sites now. "Sentio ergo sum. Investigating theCorporeal in Artists' Films and Moving Image Installations" seeks to consider affect as a powerful means to stimulate asensation of one's own corporeality, and also observes its philosophical implications. By approaching it through mediaarchaeology and film studies, my research would focus on investigating how spectators' bodies relate to moving image,and how this medium can evoke the bodily itself to the viewer by stimulating their sensory perception. Projected light as acarrier of an image is a unifying element that also enables creative correlations between the moving image and thebaroque aesthetics as a phenomenon which is lived and felt from within. This research will contribute to the studies ofhaptic visuality and sensuality in film and screen studies by merging media archaeology, philosophy, contemporary art,and baroque aesthetics in order to investigate the potential of moving image installations to function as sites for anexperiential critique of the established modes of sensation in the contemporary media environments.