Striking Legacies: Place Attachment and the Post Industrial Landscape in the Poetry of Helen Mort, IanParks and Tony Harrison

引人注目的遗产：海伦·莫特、伊恩·帕克斯和托尼·哈里森诗歌中的依恋和后工业景观

• 批准号: 2277907
• 金额: --
• 依托单位: Nottingham Trent University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2018
• 资助国家: 英国
• 起止时间: 2018 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2277907
• 关键词: Striking; Legacies; Place; Attachment; Post

My thesis is a critical-creative project. The critical component will explore place attachment in the context of post-industrial landscapes in the poetry of contemporary poets from northern English post-industrial locations. This will be supported by, and in dialogue with, a book-length portfolio of my own poems on the same theme. Part of my creative work will include the development of a film-poem script, exploring imagistic metaphor and how this can be translated into a visual medium that is evocative of post-industrial location and the person-place attachment relationship. The film-poem will also examine how poetic form can be used to dictate action in scriptwriting, in the context of Tony Harrison's and Helen Mort's incorporation of scriptwriting elements in their poetry, most notably Harrison's film-poems such as 'The Shadow of Hiroshima' and Helen Mort's 'Ex-Industrial (a trailer)'; this element will be presented as a written script. The critical aspect interrogates the impact and representation of the post-industrial landscapes presented in the poetry of Helen Mort, Ian Parks and Tony Harrison, three significant contemporary poets from different generations, all of whom write about working-class experience and its transcendence in their northern hometowns. A substantial proportion of the poems thus far developed as part of this project are due for publication in March 2019, as part of my forthcoming selection (of 25 pages) in an anthology of three new writers for Soundswrite Press. This thesis builds on critical, creative, and analytical research skills developed during my MA study, particularly my dissertation (which was awarded a distinction, and which interrogated the meaning and impact of home in the development of poetry; for this I interviewed Ian Parks as preliminary research into his use of place). I have further developed these skills during my first year of PhD-level study,incorporating both psychoanalytic and sociological theory, and I have at this point completed a 7000-word chapter exploring Helen Mort's depiction of place. My research also utilises skills I have developed through the Royal Court Young Writers' Programme and BBC script feedback and development, as well as my experience of preparing a poetry manuscript for publication. The film-poem aspect will also draw on my undergraduate experience in European Theatre Arts and my scriptwriting background, as my understanding and experience of both script and poetry will enable me to engage with poetic form in a dramatic context.

我的论文是一个批判性的创造性项目。关键的组成部分将探讨在后工业景观的背景下，在北方英国后工业地区的当代诗人的诗歌的地方附件。这将得到支持，并在对话中，一本书的长度组合我自己的诗在同一主题。我的部分创造性工作将包括电影-诗歌剧本的开发，探索意象隐喻以及如何将其转化为一种视觉媒介，唤起后工业位置和人与地方的依恋关系。电影诗歌也将研究如何诗歌形式可以用来决定在剧本创作的行动，在托尼哈里森的和海伦莫特的剧本元素在他们的诗歌，最显着的哈里森的电影诗歌，如'广岛的阴影'和海伦莫特的'前工业（拖车）'的背景下，将作为一个书面脚本。批评方面质疑海伦·莫特，伊恩·帕克斯和托尼·哈里森的诗歌中呈现的后工业景观的影响和代表性，这三位来自不同世代的重要当代诗人都写了关于工人阶级的经历及其在北方家乡的超越。到目前为止，作为该项目的一部分，大部分诗歌将于2019年3月出版，作为我即将出版的选本（25页）的一部分，在Soundswrite出版社的三位新作家的选集中。这篇论文建立在批判性，创造性和分析性的研究技能，在我的硕士研究，特别是我的论文（这是授予区别，并询问了意义和影响的家在诗歌的发展;为此，我采访了伊恩公园作为初步研究他使用的地方）。在我博士水平学习的第一年，我进一步发展了这些技能，结合了精神分析和社会学理论，在这一点上，我已经完成了一个7000字的章节，探讨海伦莫特的描绘的地方。我的研究还利用了我通过皇家法院青年作家计划和BBC剧本反馈和开发的技能，以及我准备出版诗歌手稿的经验。电影诗歌方面也将借鉴我在欧洲戏剧艺术和我的剧本创作背景本科的经验，因为我的理解和脚本和诗歌的经验将使我能够在戏剧背景下从事诗歌形式。