Feminist Video in the Twenty-First Century: Self-Presentation, Labour and Gender Difference

在她的博士研究中，她将讨论21世纪在视频和数字艺术领域中女权主义艺术实践的新发展。在整个研究过程中，她旨在揭示在过去二十年中，随着最近的技术发展和新的在线社交平台的兴起，主体性、性别和女权主义政治话语的变化。首先，她将在网络展览“身体焦虑”（2015）中讨论影像作品中的自我再现问题，以突出多元化和人为性的概念，与早期影像作品中所传达的主体性的统一感形成对比。其次，她将分析与艺术创作的物质条件有关的自我性化问题，以及女性艺术家在统治艺术世界的社会经济结构中的地位，如安德里亚·弗雷泽的《无题》（2003）和Tanja Ostojic的《成功策略/策展人系列》（2001-2003）。最后，她将讨论性别二元在对话作品中的表现，如坎迪斯·布雷茨的《他/她》（1968-2008）和弗朗西斯·斯塔克的《我最好的东西》（2011），以解决性别二元话语的问题。她的目的是展示这些艺术家的实践如何有助于我们理解当代女权主义问题，以及更广泛地说，如何有助于理解艺术、社会制度和政治行动主义之间的交集。

In her PhD research, she will address new developments that have occurred in feminist art practice, within the field of video and digital art, in the twenty-first century. Throughout her study, she aims to shed light on the changes in the discourse on subjectivity, gender, and feminist politics that have occurred in the past two decades, following the recent technological developments and the rise of new, online platforms of sociability. Firstly, she will address questions of self-representation in the video works presented in the online exhibition "Body Anxiety" (2015) to highlight notions of plurality and artificiality in contrast with the unified sense of subjectivity conveyed in earlier video works. Secondly, she will analyse the question of self-sexualisation in relation to the material conditions of art-making, and the woman artist's position within the socioeconomic structures that govern the art world in works such as Andrea Fraser's Untitled (2003) and Tanja Ostojic's Strategies for Success/Curator Series (2001-2003). Finally, she will address the representation of gender binaries in dialogic works, such as Candice Breitz' Him/Her (1968-2008) and Frances Stark's My Best Thing (2011) to address theproblematic articulation of gender discourse in binary terms. She aims to show how the practice of such artists contributes to our understanding of contemporary feminist concerns and, broadly, to an understanding of the intersection between art, social systems, and political activism.