Aqui mando yo: Negotiating Narratives of Caribbean Heteronormativity in Contemporary Reggaeton Music Video

探索加勒比文化研究中一个以前被忽视的领域，这个项目探讨了当代reggaetoner@s对植根于该地区殖民历史的异性恋叙事的抵制。通过对来自古巴、波多黎各和多米尼加共和国的雷盖顿艺术家的音乐视频应用系统功能性透镜，它同时投资于他们在全球资本主义时代导航当地、散居地和国际市场所采取的视觉和音乐策略。最后，它打破了现有的奖学金，认为在雷鬼音乐视频的视听表达创造了一个空间，在加勒比的他者霸权意识形态的干预。

Exploring a previously neglected area in Caribbean cultural studies, this project examines contemporary reggaetoner@s' enactment of resistance to heteronormative narratives rooted in the region's colonial past. By applying a systemic functional lens to music videos of reggaeton artists in and/or from Cuba, Puerto Rico and the Dominican Republic, it simultaneously invest igates the visual and musical strategies they take in order to navigate local, diasporic and international markets in an age of global capitalism. Ultimately, it breaks with existing scholarship to argue that audiovisual expression in reggaeton music video creates a space for intervention in hegemonic ideologies of Caribbean otherness.