Words Between Worlds: Ekphrastic Poetry and Habitus Dislocation

这位注重创意的博士将把工人阶级艺术家视为跨越“习惯性”(如布迪厄所定义)的“违法者”。通过研究诗歌和摄影之间的交叉，它将提出将俗语诗歌作为一种“人文纪录片”，它可以解决阶级迁徙引发的身份问题。为了进一步探讨诗歌中的“人文主义纪录片”理念，我将考察东北地区的女诗人是如何接触和“超越”她们的工人阶级出身的。最后，我将在自己的作品中运用理查德·比林厄姆等人的照片作为跳板，以诗意的顺序描绘出我自己的“习性错位”。

This creative-critical PhD will consider the working-class artist as 'transgressor' across boundaries of'habitus' (as defined by Bourdieu). Investigating intersections between poetry and photography, it willpropose ekphrastic poetry as a type of 'humanist documentary' which can address questions of identityinstigated by class migration. To further explore the idea of 'humanist documentary' in poetry, I willexamine how women poets in the North-East have engaged with and 'transgressed' their working-classorigins. Finally, I will enact this 'crossing' in my own work, using photographs by Richard Billingham andothers as springboards for a poetic sequence charting my own 'habitus dislocation'.