Neo-Dickensianism as Neoliberalism: Reframing Narratives of the British Welfare State

可可的想法仍在发展，但她的研究的基础将是探索当代紧缩话语在两个肯洛奇电影，我，丹尼尔布莱克和对不起，我错过了你。她将把它们与维多利亚时代的贫困话语进行比较，通过与查尔斯·多塞特的《小多里特》进行比较，看看某些主题是如何在政治上被回收和重用的。她还将利用瓦宽特作为一个透镜来审视惩罚穷人的观念。

Coco's ideas are still evolving, but the basics of her research will be exploring contemporary austerity discourses in two Ken Loach films, I, Daniel Blake and Sorry I Missed You. She will compare them to Victorian discourses of poverty though a comparison with Charles Dicken's Little Dorritt and see how certain themes are recycled and reused politically. She will also use Waquant as a lens to examine notions of punishing the poor.