The Cultural Politics of Human Rights in the Opera Sector in England

英国歌剧界的人权文化政治

• 批准号: 2600304
• 金额: --
• 依托单位: University of Warwick
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2021
• 资助国家: 英国
• 起止时间: 2021 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2600304
• 关键词: Cultural; Politics; Human; Rights; Opera

My project aims to generate a substantive empirical research basis for considering the correlationbetween a rights-based approach to public engagement in the opera sector (whether or not it isarticulated as such) and organisations' relative success in engaging diverse groups in contemporarysociety, particularly in relation to ethnicity and socio-economic background. The project adopts aninterdisciplinary framework drawing on theories and methodologies in human rights scholarship,sociology and linguistics. I deploy "public engagement" broadly as any interface between an organisationand the public, including artistic programming, work generated through learning & participationprogrammes and digital content, and build on Barrett's notion of "the whole theatregoing event" (2016).

我的项目旨在产生一个实质性的实证研究基础，以考虑歌剧部门基于权利的公共参与方法(无论是否这样表述)与组织在让不同群体参与当代社会方面的相对成功之间的相关性，特别是在种族和社会经济背景方面。该项目采用跨学科框架，借鉴人权学术、社会学和语言学的理论和方法。我将“公众参与”广泛地部署为一个组织和公众之间的任何接口，包括艺术节目、通过学习和参与产生的作品、节目和数字内容，并建立在巴雷特的“整个重演活动”(2016)的概念之上。