An analysis of pop music alter-egos through the lens of non-binary gender scholarship

从非二元性别奖学金的角度分析流行音乐的另一个自我

• 批准号: 2606807
• 金额: --
• 依托单位: University of Bristol
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2021
• 资助国家: 英国
• 起止时间: 2021 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2606807
• 关键词: analysis; pop; music; alter; egos

In this PhD I wish to look at alter egos used in popular music performance through the lens ofnon-binary gender scholarship. While non-binary and genderqueer issues have been exploredin disciplines such as psychology [Joel 2013], gender studies [Shapiro 2007, Gilbert 2009, Nicolas2019], and law [Meerkamper 2013], there has been little to no musicology that analyses musicalperformance with a focus on and understanding of gender spectrum and variance. Throughanalysis of critical theory and recorded texts, I will analyse the performance alter egos ofpopular music artists to advance understanding of the performance of gender as well asdeveloping frameworks toward a more genderfluid and non-binary musicology.

在这个博士学位中，我希望通过非二元性别奖学金的视角来研究流行音乐表演中使用的另一个自我。虽然心理学[Joel 2013]、性别研究[Shapiro 2007， Gilbert 2009， Nicolas2019]和法律[Meerkamper 2013]等学科都对非二元性和性别酷儿问题进行了探讨，但音乐学几乎没有分析音乐表演时关注和理解性别光谱和差异。通过对批判理论和录音文本的分析，我将分析流行音乐艺术家的表演改变自我，以促进对性别表现的理解，并朝着更加性别流动和非二元音乐学的方向发展框架。