Self-Authoring Feminine Blackness: Developing Decolonised Practice Methodologies within British Contemporary Dance

自创女性黑人：在英国当代舞蹈中发展去殖民化的实践方法

• 批准号: 2610487
• 金额: --
• 依托单位: De Montfort University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2021
• 资助国家: 英国
• 起止时间: 2021 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2610487
• 关键词: Self; Authoring; Feminine; Blackness; Developing

My proposed project will conduct practice-based research, informed by an original socio-intertextual framework which I developed during my MA research, to investigate self-authoring feminine blackness within British contemporary dance. This PhD will build on my academic research at Masters level and my subsequent professional practice to develop decolonised choreographic methodologies and performance modalities with application in pedagogy. Self-authoring denotes the process of gaining autonomy of the representation of one's race, gender, and autobiography by cultivating distinct ways of presenting one's identity within artistic work. This concept addresses the wider issue of misrepresentation highlighted in the dance industry (hooks, 1992, Akinleye, 2016) by providing tools for producing decolonised creative methodologies that facilitate Black women within British contemporary dance.

我提议的项目将进行以实践为基础的研究，受我在硕士研究期间开发的原始社会互文框架的启发，以调查英国当代舞蹈中自我创作的女性黑人。这个博士学位将建立在我在硕士水平的学术研究和我随后的专业实践的基础上，开发非殖民主义的编舞方法和表演模式，并将其应用于教育学。自我创作是指通过培养在艺术作品中展示自己身份的不同方式，获得一个人的种族、性别和自传表现的自主性的过程。这一概念解决了舞蹈业(Hooks，1992，Akinleye，2016)中突出的更广泛的虚假陈述问题，通过提供工具来产生非殖民化的创作方法，以促进英国当代舞蹈中的黑人女性。