Trauma and Transition in Women's Holocaust Art:

女性在被监禁期间(1939-1945)和解放后的艺术反应。令人惊讶的是，女性的大屠杀艺术研究不足。在知识方面仍然存在重要的差距，同时需要对现有的类型学进行严格的审查和批评。我的研究将为大屠杀期间和解放后妇女创作的艺术品提供开创性的新分析和比较。它将通过一个新的视角研究分类的表征，特别关注ARTIN处理创伤和过渡的角色。它将史无前例地分析这些女性的过渡点，她们的艺术品与她们证词的关系(包括理想化证词的作用)，以及她们的艺术与性别记忆加工和创伤的关系。

Women's artistic responses produced during incarceration (1939-45) and after liberation.Women's Holocaust art is surprisingly under-researched. Important gaps inknowledge remain, alongside the need for rigorous examination and critique ofexisting typologies.My research will provide pioneering new analysis and comparison of the artworkscreated by women during the Holocaust and after liberation. It will investigategendered representation through a new lens with specific focus on the role of artin processing trauma and transition.Unprecedentedly, it will analyse points of transition for these women, therelationship of their artwork to their testimonies (including the role of idealisedtestimonies) and their art in relation to gendered memory processing andtrauma.