Music in the English Episcopal Liturgy: A Survey and Analysis of Melodies in Prestandard Pontifical Manuscripts.

在我的博士学位，我将探索的交叉点的圣歌，礼拜仪式，手稿生产，并通过透镜的教皇手稿写在第十至第十三世纪的中世纪早期英国的传输。早期的宗座剧及其音乐内容研究甚少，因此，它们作为了解中世纪英国通过音乐和主教布道进行文化传播的工具的潜力尚未得到充分发掘。通过对这一时期大约20个幸存的宗座仪式中的注释圣歌的调查，并对三个宗座仪式中的圣歌进行详细的案例研究，我将在社会政治因素的背景下识别旋律变体，并将这些旋律变体从它们的生产地点、使用地点和诺曼征服的影响中剔除。这将提供深入了解音乐的意义和发展，在盎格鲁-撒克逊和盎格鲁-诺曼主教礼仪。

In my PhD, I will explore the intersection of chant, liturgy, manuscript production, andtransmission in early medieval England through the lens of pontifical manuscripts written in the tenth tothirteenth centuries. Little scholarship has been undertaken on early pontificals and their musical content.Thus, their potential as a vehicle for understanding cultural transmission through music and episcopalliturgy in medieval England has not been fully explored. Through a survey of notated chants inapproximately 20 surviving pontificals from this period, accompanied by a detailed case study of chantsin three pontifical rites, I will identify melodic variants and situate these within the context ofsociopolitical factors arising from their place of production, place of use, and the impact of the NormanConquest. This will provide insight into the significance and development of music in the Anglo-Saxonand Anglo-Norman episcopal liturgy.