Towards an ecofeminist ecriture feminine : poetic responses to climate grief under patriarchal and anthropocentric hegemony

走向生态女性主义女性文学：父权制和人类中心主义霸权下对气候悲伤的诗意回应

• 批准号: 2887792
• 金额: --
• 依托单位: University of Brighton
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2887792
• 关键词: Towards; ecofeminist; ecriture; feminine; poetic

Research QuestionsHow can the concept of an ecofeminist 'ecriture feminine' ('feminine writing') inform the development of a more-than-human methodology that challenges bothpatriarchal and anthropocentric hegemonies?How might this methodology be used to develop creative responses to climate grief, which leverage notions of entanglement while also challenging hegemonic structures of language, as part of a holistic response to the climate crisis?This thesis uses writing in the form of an ecofeminist 'ecriture feminine' - writing centring the language of the oppressed and repressed 'feminised other'. While reflecting on the interconnectedness of anthropocentrism and patriarchy, this thesis presents climate grief as a narrative of entanglements. Recognising hybrid writing as characteristic of 'ecriture feminine', I use poetic "autotheory", a hybrid genre of writing. Inspired by Maggie Nelson's autotheoretical work 'The Argonauts' (2015), I use poetic verse and lyric essays to present accounts of climate grief. Using a more-than-human methodology, walking methods are used to facilitate movement through, and embodiment in, landscapes which invoke personal feelings of loss. This inspires freewriting around intimate narratives of climate grief, conceived of as necessarily entangled with other forms of grief, which is then developed into poetry and lyric essays. Additionally, this autotheory reflects on how ecofeminist philosophy can inform reimaginings of human/non-human entanglements during a time of ecological crisis. As a hybrid creative work, this thesis speaks to a rejection of the construction of binaries central to both an ecofeminist and psychoanalytic feminist approach. I offer two unique contributions in my research: 1. Through the development of a unique more-than-human methodology that synthesises feminist approaches in the concept of an 'ecofeminist ecriture feminine' 2. Through the development of original creative work that presents climate grief as an experience of entanglement, highlighting human/non-human relationality, as well as the interconnectedness of different forms of grief

生态女性主义者的“女性写作”（“女性写作”）概念如何为挑战父权制和以女性为中心的霸权的超越人类的方法论的发展提供信息？如何使用这种方法来开发对气候悲痛的创造性反应，利用纠缠的概念，同时也挑战语言的霸权结构，作为对气候危机的整体反应的一部分？本论文采用了生态女性主义的“生态女性主义”的写作形式，即以被压迫和被压抑的“女性化的他者”的语言为中心的写作。在反思父权制和女性中心主义的相互联系的同时，本文将气候悲伤描述为一种纠结的叙述。认识到混合写作的特点'ecriture女性'，我使用诗意的'autotherapy'，一种混合写作体裁。受玛吉·纳尔逊的自传体作品《阿尔戈英雄》（2015年）的启发，我用诗歌和抒情散文来描述气候悲痛。使用一种比人类更人性化的方法，步行的方法被用来促进运动，并体现在，景观，唤起个人的损失感。这激发了围绕气候悲伤的亲密叙述的自由写作，被认为必然与其他形式的悲伤纠缠在一起，然后发展成诗歌和抒情散文。此外，这种自我理论反映了生态女性主义哲学如何在生态危机时期告知人类/非人类纠缠的反思。作为一个混合的创造性工作，这篇论文谈到了拒绝建设的二元中心生态女性主义和精神分析女性主义的方法。我在我的研究中做出了两个独特的贡献：1。通过发展一种独特的超越人类的方法论，在“生态女性主义生态女性主义”的概念中综合了女性主义的方法。通过原创性作品的发展，将气候悲伤呈现为一种纠结的体验，突出人类/非人类的关系，以及不同形式的悲伤之间的相互联系