Digitally Expanded Cinema Through A Computational Vision

通过计算视觉扩展数字影院

• 批准号: 2890337
• 金额: --
• 依托单位: University of Cambridge
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2890337
• 关键词: Digitally; Expanded; Cinema; Through; Computational

This thesis restores expanded cinema in the historical context of avant-garde/experimentalfilmmaking. Unlike previous accounts of expanded cinema, which mostly situated expanded cinemain '60s expanded arts milieu, stressing moving images' relocation from cinemas to galleries andmedia convergence while ignoring cinema's artistic autonomy, this research provides a cine-centricre-theorisation of the notion of expanded cinema. The cinematic expansion, this thesis argues, notonly faces outwardly in cinema's displacement and the cross-fertilisation between moving imagesand other art forms, but also faces inwardly with computational technologies (deep learning, photogrammetry, spatial computing are the three technologies emphasised in this thesis) permeatingthe filmic texture. Therefore, this research attempts to not only contribute to film studies (filmhistoriography, avant-garde theory) but also provide a critical reflection on contemporary digitalculture and questions concerning digital aesthetics.

本论文在前卫/实验电影制作的历史背景下恢复了扩展的电影。以往对扩展电影的描述大多将扩展电影置于60年代扩展艺术环境中，强调运动图像从电影院到画廊的迁移和媒体融合，而忽视了电影的艺术自主性，与此不同的是，本研究提供了以电影为中心的扩展电影概念的重新理论化。本文认为，电影的扩张不仅向外面临着电影的位移以及运动图像与其他艺术形式之间的交叉融合，而且向内面临着渗透到电影肌理中的计算技术（深度学习、摄影测量、空间计算是本文强调的三项技术）。因此，本研究不仅试图为电影研究（电影史学、前卫理论）做出贡献，而且还对当代数字文化和数字美学问题提供批判性反思。