Private Lives, Public Display. Women and Exposure in Contemporary French Culture

该项目考察了公共/私人鸿沟的新表述以及法国文化中对亲密关系的重视，因为这些现象与妇女有关。它聚焦于新曝光模式的政治和诗学，分析了选择性的自拍、电影、摄影和概念艺术，以及互联网和电视转播形式，引出了女性创作的作品提出的问题，其中自我揭示/偷窥狂特别明显。该项目将妇女视为表现对象和亲密/偷窥狂作品的制作人。它还考察了将亲密消费作为文化产品对妇女的政治影响。

This project examines new articulations of the public / private divide and the emphasis on intimacy in French culture as these phenomena relate to women. Focusing on the politics and poetics of new models of exposure it analyses selective autofication, film, photography and conceptual art, as well as internet and televised forms, drawing out the issues raised by female-authored works in which self-revelation /voyeurism are especially pronounced. The project considers women as objects of representation and as producers of intimate / voyeuristic works. It also examines the political implications for women of the consumption of intimacy as cultural product.