Music Drama Institutions and Power: Paris 1806-1864 (MDIPP)

舞台上的音乐总是被嵌入到国家、经理人、自由主义者、艺术家、企业家和作曲家之间的权力关系网络中。MDIPP试图理解和解释这些关系如何在一个特别有充分记录的领域中发挥作用；1806年至1864年期间，法国音乐剧受制于许可证制度。该项目考察了制度结构及其与负责该时期舞台音乐创作和培养的人之间的关系，以及结构和由此产生的作品。

Music for the stage has always been embedded in a network of power relationships between states, impresario's librettists, artist, entrepreneurs and composers. MDIPP seeks to understand and explain how these relationships function in a particularly well-documented domain; the period when French music drama was subject to a system of licences, 1806-1864. The project examines institutional structures and their relationship both to those responsible for the creation and cultivation of stage music in the period and on the structure and from the resulting works them.