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Marco Bellocchio: Individualism and Anarchy

马可·贝洛基奥：个人主义与无政府状态

基本信息

批准号：
AH/E000886/1
负责人：
Clodagh Brook
金额：
$ 3.3万
依托单位：
University of Birmingham
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2007
资助国家：
英国
起止时间：
2007 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FE000886%2F1
关键词：
Marco Bellocchio Individualism Anarchy

项目摘要

In Italy, Marco Bellocchio has long been considered the equal of Bertolucci, Visconti, Fellini, and Antonioni, and is one of the most important auteur film-makers of the last forty years. Indeed, Lino Micciché, one of Italy's most respected film critics, has recently ranked Bellocchio as the greatest post-1960s director. However, Bellocchio is practically unknown in the English-speaking world, and no monographs on him in English exist. In Italy and France, monographs have been written on Bellocchio, but tend to follow the format of the film-by-film analysis, which does not allow for the in-depth discussion of underlying themes. In Italy there have also been many edited works and collections of articles published, especially in the past 5 years, but these present a fragmentary analysis of the director's work, and none treat the two arguments that I explore (politics and psychoanalysis) in any depth. The research is timely as it fits into a growing interest in Bellocchio's cinema, evidenced in a number of recent papers given on his work in England and America, in new postgraduate research, and in retrospectives of his cinema screened recently in London and elsewhere. Aims and Objectives. This monograph proposes to introduce Bellocchio's cinema to the English-speaking public, focusing on the most significant aspects of his work - politics and psychoanalysis - and locating his filmmaking within the context of Italian and European filmmaking more generally. The objectives are: 1. To analyse the political side of Bellocchio's cinema, in particular exploring the relationship between recording political events through documentary(style)-filming, though allegorical filming and re-recording events from different points in time and different perspectives. 2. To analyse the psychoanalytical side of Bellocchio's cinema, looking particularly at issues of filming subjectivity. 3. to provide a research resource for further research on Bellocchio and on political and psychoanalytical filmmaking in Italy by the provision of complete filmographies and bibliographies. Applications and Benefits.The main potential applications of the research will be in teaching and research. The monograph should provide a better understanding of a director who has been neglected in the English-speaking world, thus expanding the boundaries of the rigid canon of Italian filmmakers discussed in the Anglo-American academic environment. In addition, the monograph will also be of interest to scholars working on the cultural and political history of contemporary Italy, and to film scholars in general who are interested in the representation of political and psychoanalytical ideas in cinema.

在意大利，马可·贝罗基奥一直被认为与贝托鲁奇、维斯康蒂、费里尼和安东尼奥尼齐名，是过去四十年来最重要的导演电影制片人之一。事实上，意大利最受尊敬的电影评论家之一利诺·米奇切最近将贝罗基奥评为20世纪60年代后最伟大的导演。然而，贝罗基奥在英语世界中几乎不为人知，也没有关于他的英文专著。在意大利和法国，已经有关于贝罗基奥的专著，但倾向于遵循逐部电影分析的格式，这不允许深入讨论潜在的主题。在意大利，也有许多编辑过的作品和文章集出版，特别是在过去的5年里，但这些都是对导演作品的零碎分析，没有一个深入探讨我所探讨的两个论点（政治和精神分析）。这项研究是及时的，因为它适合在Bellocchio的电影越来越大的兴趣，证明了一些最近的论文给他的工作在英国和美国，在新的研究生研究，并在回顾他的电影放映最近在伦敦和其他地方。目的和目标。这本专着旨在向讲英语的公众介绍Bellocchio的电影，重点是他工作中最重要的方面-政治和精神分析-并将他的电影制作置于意大利和欧洲电影制作的背景下。目标是：1.分析贝罗基奥电影的政治方面，特别是探索通过纪录片（风格）拍摄记录政治事件之间的关系，尽管寓言式拍摄和从不同的时间点和不同的角度重新记录事件。2.分析贝罗基奥电影的精神分析方面，特别是在拍摄主观性的问题。3.通过提供完整的电影目录和参考书目，为进一步研究贝罗基奥以及意大利的政治和心理分析电影制作提供研究资源。应用和效益。该研究的主要潜在应用将是在教学和研究。这本专着应该让人们更好地理解一位在英语世界中被忽视的导演，从而扩大在英美学术环境中讨论的意大利电影制片人的严格标准的界限。此外，该专着也将感兴趣的学者对当代意大利的文化和政治史的工作，并在电影学者一般谁是在电影中的政治和精神分析思想的代表感兴趣。