Film Sequels: Theory and Practice from Hollywood to Bollywood

我的研究探讨其工业，文化，理论和全球背景下的电影续集制作。虽然很多人注意到电影续集作为一种没有文化或美学价值的有利可图的互文形式的复兴，但本研究采取了批评的立场，这种观点忽视了渗透在续集中的复杂的意识形态和社会问题，特别是那些发生在好莱坞和世界电影中的跨文化对话。通过调查在规定的时间范围内的地球仪的续集生产，本研究确定和说明了一些主要的关键环境中，续集操作。

My research examines film sequel production within its industrial, cultural, theoretical, and global contexts. Although much attention has been drawn to the resurgence of the film sequel as a lucrative intertextual format without cultural or aesthetic value, this research takes the critical stance that such views ignore the complicated ideological and social issues that permeate sequelization, in particular those cross-cultural dialogues that occur within this structure throughout Hollywood and world cinemas. By investigating sequel production around the globe within defined time frames, this research identifies and accounts for some of the major critical contexts within which sequelization operates.