The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909.

另一个东方。通过研究1839-1909年君士坦丁堡奥斯曼帝国画家和赞助人的优先事项来重新解读东方主义艺术。我的目的是通过深入研究奥斯曼帝国精英在十九世纪君士坦丁堡艺术发展中的作用，对东方主义有一个新的理解。这将是对这一时期奥斯曼帝国首都复杂的跨文化互动网络的首次全面研究，包括主要的艺术展览、苏丹的赞助以及欧洲和奥斯曼帝国女艺术家和赞助人之间的独特合作。其结果将是后殖民和女权主义艺术史上的一项重大创新，因为它纳入了对东方主义艺术的生产和接受的本土观点。结果将是两篇被引用的期刊文章和一本名为《另一个东方》的书。

The Other Orient. Reinterpreting Orientalist Art by studying the priorities of Ottoman painters and patrons in Constantinople, 1839-1909. My aim is to produce a new understanding of Orientalism through intensive research into the role of Ottoman elites in the development of art in nineteenth-century Constantinople. This will be the first comprehensive study of the complex web of cross-cultural interactions in the capital of the Ottoman Empire in this period, including the major art exhibitions, the Sultan's patronage and the unique collaborations between European and Ottoman women artists and patrons. The result will be a major innovation within post-colonial and feminist art histories through the inclusion of indigenous perspectives on the production and reception of Orientalist art. The outcome will be two refereed journal articles and a book entitled, The Other Orient.