基于《营造法式》的唐宋时期木构建筑、图像及仿木构建筑中的建筑装饰与色彩案例研究

丰富鲜明的建筑装饰与色彩是构成中国古代建筑视觉形象的主要特征。然而由于装饰构件及色彩表层随时间发生的变迁，使得文物建筑装饰与色彩成为中国古代建筑与文物保护研究领域中最为困难和薄弱的环节之一。.唐宋时期是中国以木材为主体的营造体系的巅峰时期，然而唐宋时期的木结构建筑存世甚少，装饰与色彩的遗存更为稀少，已不足以代表这一时期的特点和水平。但存世的图像及仿木构砖石建筑中还保存了大量的建筑装饰与色彩信息，其被修改和重绘的可能性较小，也较为忠实地反映了时代特征。.本课题在木构建筑、绘画图像、仿木构建筑、出土文物中，选择了8个唐宋时期典型建筑装饰与色彩案例，进行四个层面的研究：一、案例本体的精细测绘、详细勘察和原状研究；二、案例所在时空范围的框架性研究；三、营造体系与设计思想的探讨；四、设计母题与模式的归纳及数据库的建立。在此基础上填补中国古代建筑装饰与色彩研究的缺憾、还原中国唐宋时期建筑的真实面貌。

Distinctive and rich architectural decoration and color are important features of traditional Chinese architecture. Therefore, the ornaments and colored decoration would be greatly changed by the time passed, so the ornaments and decoration are most difficult in the research of traditional Chinese architecture..From 7th to 13th centuries (Tang and Song dynasties) are the most prosperous periods on techniques and arts of architecture. As the timber structured buildings were easy to be burnt or decayed, the timber structures built from 7th to 13th centuries are hard to survive till now. Even there are a few survivor, who seems to keep some early decoration and color, there are no enough evidence can certify that the decorations are made on the same period with the main structures. Fortunately, during this period, there are many of brick tombs and towers in imitation of wooden structures which are excavated in the recent fifty years, and there are some murals and drawings kept till now, which gave expressions on decorations and colors. If those painted and mason historical architecture records could be carefully collected and analysed, there could be many important find on the decoration and color of the Chinese ancient Architecture. We will collect as fully as possible, and analysis those materials, to find the typical examples on architectural color and decoration in the history, to make some recovery on those decorations, and to do some virtual reproduction based on these information. All these endeavor scan fill the deficiency in the study of ancient Chinese architectural history, and restore the true experience of the ancient Chinese architecture.