明代私家园林与绘画的互动演进机制研究

园林绘画已成为风景园林学和美术学两大学科的研究热点，前者将其应用于园林考证或复原，后者从图像学角度探讨绘画的图式或意义，积累了丰富的成果。园林绘画的学科交叉特点既是其优势，也造成了该研究的困难性与复杂性。如何结合两大学科的优势，总结园林绘画的研究方法和研究范式，阐释园林与绘画的创作机制和发展规律，成为目前的一项研究重点。申请者在前期研究中论证了园林绘画的图像生成机制，为此类研究提供了方法论的指导。本课题以明代私家园林与绘画的互动演进机制为研究对象，首先搜集整理园林绘画案例，采用图像志、图像学等方法进行分类、选取和解读；进而从图式和传播角度分析绘画对明代私家园林的影响，从再现和演进角度分析明代私家园林对绘画的影响，揭示出两者的互动演进机制。从绘画视角对明代私家园林的发展形成新的认识，推动风景园林学科的历史研究和理论建设，促进风景园林学与美术学的知识融通和学科交流。

Garden painting is a hot research area of landscape architecture and fine arts. The former uses the paintings as evidence for the research or restoration of gardens, and the latter explores the schema or meaning of the paintings with iconographical methods. Both research fields have accumulated abundant results. The interdisciplinary characteristic of garden painting research is its advantage. However, it also increases the difficulty and complexity of the study. How to combine the advantages of the two research fields, summarize the research methods and research paradigms of garden painting, and explain the generation mechanism and rule of development of garden and painting has become a current research focus. The applicant demonstrated the image generation mechanism of garden painting in the preliminary research, and provided methodological guidance for such research. This study takes the interactive evolution mechanism of private gardens and paintings in the Ming Dynasty as the research subject. First, it collects and sorts garden paintings as cases, and then classify, select, and interpret them with iconography methods. And then, it analyzes the influence of paintings on private gardens in Ming Dynasty from the perspective of schema theory and information transmission theory. Meanwhile, it analyzes the influences of gardens on paintings from the perspective of representation theory and evolution theory. The result reveals the interactive evolution mechanism of the two. To discuss the issue from the perspective of painting, can form a new understanding of the development of private gardens in the Ming Dynasty. And therefore, improve the construction of historical and theoretical research of the landscape architecture discipline, and further the integration and communication of the two research fields of landscape architecture and fine arts.