宋元界画中建筑形象的识读机制与样式谱系研究

界画兼具“工程图”与“记录画”的双重特性，其创作受画院教育和营缮规程的制约，是技术史研究的重要资料，但关于其绘制规律与信息转译中的变形因素尚缺乏系统和定量的甄别，也未见阐明画家、图像及其映照的匠作传统间相互关系的成果，因此藉之补证实例、建构特定区期的营造谱系时，缺乏“置信度”的衡量。本课题以形式分析的方法对界画的构图模式、投影规律及线组比例关系加以分类、统计，结合图学传统与《营造法式》文本，在图像、实例与制度间展开两两关联的考察，探明界画中各类构造节点与各部比例关系在表达逻辑上的异同，对其写实程度进行排序，围绕认知心理学的原理探索画家“从物到像”的图绘规律和读者“从像到法”的识读机制，建构界画创作中“图元转译”机理的诠释模型，对画宗与匠门、对官式制度与营造实践间的影响关系展开延伸探讨，对图像的样式谱系差异及其反映的粉本与写生来源的多样性加以筛查，深化对宋元时期建筑技术多元共生特点的认识。

The boundary paintings, a valuable literature for the history of techology, has characteristics of both “engineering drawing” and “record drawing” . Its creation is limited by imperial art academy and regulations of construction. However, its regularity of drawing and deformation of information translation are still lack of systematic and quantitative discrimination. Besides, there are no academic achievements about relationship of painters, drawing and original architectural trandition reflected. Therefore, the measuement of credibility is dificient, when we complete and prove examples or consruct form genealogy in specific period through the boundary paintings. This topic aims at classifying and counting composition model, projection rules and proportional relationship of line group of the boundary paintings by formal analysis; investigate the relationship between any two in image ,examples and insititutions through combining the tradition of architectural graphics and the text of Yingzao Fashi; verify differences in expression logic of all kind of structural node and proportional relationship of each part in the boundary, and sort their degree of realism in order; search “from objection to image” image desription rule of painters and “from image to rules” information identification mechanism of readers around principles of cognitive psychology to constuct the explaining model of “image translation” mechanism in creation of the boundary paintings ; discuss about the influence relationship between painters’ school and craftsmans’ school , also offical institution and constrution pratice; screen differences of image form genealogy and diversity of the source of draft and sketch reflected; deepen the understanding of characteristics of architecture techology with multiple symbiosis in the song and yuan dynasty.