What Monet meant: Intention and attention in understanding art
What Monet meant: Intention and attention in understanding art
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DOI：
10.1111/j.1540-594x.2004.00150.x
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发表时间：
2004-03-01
影响因子：
0.8
通讯作者：
Rollins, M
中科院分区：
文献类型：
--
作者：
Rollins, M
我在追求不可能的事。我想画出与空气研究有关的作品。对艺术品的反应如何揭示了莫奈的心理感知能力。原因在于，艺术的设计是为了开发，也就是说，强调和鼓励使用我们的感知能力，有时是串联的，有时是单独的。因此，“各种艺术作品反映不同的-多年来，它一直是我们视觉系统的一个工作特性，”心理学的玛格丽特·泰恩告诉我们，我们可以学到很多利文斯通告诉我们，通过研究观众的cible提供了一种关于感知的cru-about感知，其中这些特性可能是对视觉艺术作品的反应。塞米尔·泽基引用了康斯特布尔的主张，感知理论应该能够解释“绘画是一门科学，应该是感知者对各种视觉类型的反应，作为对自然规律的探究”;刺激。因此，它应该告诉我们，我们是如何能够和泽基，相关的概括是认识到罂粟在莫奈的绘画”法律的大脑。他认为，艺术家是实验性的，在感知上理解了大量的艺术家，在他们的作品中，弗米尔的《处女座的一位女士》与感知功能是分离的;因此，艺术品是绅士的。然而，除了像电脑一样的大脑图像之外，各种功能都被称为实验性的。如果科学美学的信念，往往有一个更进一步的假设：可以揭示艺术是什么担保经验，我们的反应，视觉艺术作品可以是心理美学，那么美学实验主义的基本原则，特别是揭示是相信艺术可以揭示的感知或认知，在这方面的科学问题。事实上，根据这种观点，艺术是一种回应，应该得到解释。科学;绘画和素描不仅仅是心理学和神经学的一个门类，它是一门关于感官的科学，它可能与必须加以解释的刺激有关。他们是手。特别重要的例子，可能告诉我们在下面，我想考虑更多关于我们的知觉能力比ordi最近的工作，其中的假设经验对象通常可以。心理美学和审美实验主义这个假设最近变得明显已经结合起来。我将认为，虽然在帐户的艺术方面的业务的重要性，艺术知觉的认知大脑。在认知神经科学中，有一些关于图片替代科学的研究，在这些情况下，并不完全清楚，一些有用的启示已经开始出现。图画是艺术品的问题，而在哲学意义研究等方面，美学的巨大发现有时也会得到科学家的回应。此外，一些主张已经被提出，这项工作表明，认知科学，
I am pursuing the impossible. I want to paint the made in connection with this research about air. how the response to art objects reveals funda-Claude Monet mental perceptual abilities. The reason is that art is designed to exploit, that is, to emphasize and encourage the use of, our perceptual abil-INTRODUCTION ities, sometimes in tandem, sometimes working alone. Thus" various works of art reflect differ-It has for many years been a working assump-ent properties of our visual system," Margaret tion in psychology that we can learn a great deal Livingstone tells us, providing a kind of cru-about perception by studying the viewer's cible in which those properties might be response to works of visual art. A general distilled.'Semir Zeki cites Constable's claim perceptual theory should be able to explain the that" painting is a science and should be perceiver's response to various types of visual pursued as an inquiry into the laws of nature"; stimuli. Thus it should tell us how we are able and for Zeki, the relevant generalizations are the to recognize the poppies in Monet's paintings" laws of the brain." 2 Artists are experimental-and understand perceptually a great deal of ists, he argues, in whose works diverse percepwhat Vermeer's A Lady at the Virginals with a tual functions are dissociated; thus artworks are Gentleman is about. However, beyond the com-like brain images in which various functions mitment to what has been called experimental have been localized. If the belief that science aesthetics, there is often a further assumption: can shed light on art is what underwrites experi-that our responses to visual artworks can be mental aesthetics, then aesthetic experimentalespecially revealing of the fundamental principles ism is the belief that art can shed light on of perception or cognition, in terms of which matters of science. Indeed, on this view, art is a the responses are supposed to be explained. science; a science of the senses with which Paintings and drawings are not just one class of psychology and neurology might work hand-in-stimuli that must be accounted for. They are hand. particularly important cases that may tell us In what follows, I want to consider some more about our perceptual abilities than ordi-recent work in which the assumptions of experi-nary objects usually can. mental aesthetics and aesthetic experimentalism This assumption has lately become apparent have been combined. I shall argue that, although in accounts of art in terms of the operations of the importance of art perception for cognitive the brain. There are studies of picture recog-science is, in these cases, not entirely clear, nition in cognitive neuroscience, where the some useful implications have begun to emerge. pictures in question are works of art, and in And while the philosophical significance of such studies, the explanandum is the aesthetic scientific discoveries has sometimes been exagresponse. Moreover, several claims have been gerated, this work shows that cognitive science