From Gigs to Giggs: politics, law and live music
From Gigs to Giggs: politics, law and live music
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从吉格斯到吉格斯：政治、法律和现场音乐
DOI：
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发表时间：
2012
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影响因子：
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通讯作者：
J. Street
中科院分区：
文献类型：
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作者：
J. Street
本文探讨了将现场音乐作为一种权利的意义。它通过研究法院和其他行为者如何将音乐作为一个政治实体来构成，而这些权利可能与之联系在一起。报告审议了两个案例研究。第一个是英国污垢艺术家吉格斯的巡回演出取消;第二个是Live Nation和Ticketmaster的合并。借鉴保罗·舍维尼的工作，文章认为，在这两种情况下，我们可以看到音乐被构成为“政治”，这意味着承认或否认特定的权利要求。
This paper explores what it means to talk of live music as a right. It does so by looking at the ways in which courts and other actors constitute music as a political entity to which such rights might be attached. It considers two case studies. The first is the cancellation of a tour by the UK grime artist Giggs; the second is the merger of Live Nation and Ticketmaster. Drawing upon the work of Paul Chevigny, the article argues that in both instances we can see music being constituted as “political”, where this entails the recognition or denial of particular rights claims.