Emotions over time:: Synchronicity and development of subjective, physiological, and facial affective reactions to music
Emotions over time:: Synchronicity and development of subjective, physiological, and facial affective reactions to music
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DOI：
10.1037/1528-3542.7.4.774
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发表时间：
2007-11-01
期刊：
影响因子：
4.2
通讯作者：
Altenmueller, Eckart
中科院分区：
文献类型：
--
作者：
Grewe, Oliver;Nagel, Frederik;Altenmueller, Eckart
大多数人能够识别音乐中表达的基本情感，并对音乐产生情感反应。但是音乐真的能诱发情感吗？它是否能可靠地在不同个体中引发主观感受、生理唤醒和运动反应？在这项跨学科的研究中，皮肤电导，面部肌肉活动和自我监测的测量与音乐刺激同步。一组38名参与者听古典，摇滚和流行音乐，并报告他们的感受在一个二维的情感空间在听。独唱或合唱团的第一次进入和新的部分的开始被发现引起个体间的主观感受和生理唤醒的变化。昆西琼斯的“波萨诺瓦”激励运动和笑在超过一半的参与者。在38名参与者中，有7人的身体反应，如“鸡皮疙瘩”和“颤抖”，可以被莫扎特的《奇迹号》所激发。此外，作者对一名参与者重复了七次实验，以检查影响的个体内稳定性。这种探索性的方法组合为情感音乐聆听的惊人复杂性提供了新的视角。
Most people are able to identify basic emotions expressed in music and experience affective reactions to music. But does music generally induce emotion? Does it elicit subjective feelings, physiological arousal, and motor reactions reliably in different individuals? In this interdisciplinary study, measurement of skin conductance, facial muscle activity, and self-monitoring were synchronized with musical stimuli. A group of 38 participants listened to classical; rock, and pop music and reported their feelings in a two-dimensional emotion space during listening. The first entrance of a solo voice or choir and the beginning of new sections were found to elicit interindividual changes in subjective feelings and physiological arousal. Quincy Jones' "Bossa Nova" motivated movement and laughing in more than half of the participants. Bodily reactions such as "goose bumps" and "shivers" could be stimulated by the Tuba Mirum" from Mozart's Requiem in 7 of 38 participants. In addition, the authors repeated the experiment seven times with one participant to examine intraindividual stability of effects. This exploratory combination of approaches throws a new light on the astonishing complexity of affective music listening.