Selection, Constraints, and Creativity Case Studies: Max Beckmann and Philip Guston
Selection, Constraints, and Creativity Case Studies: Max Beckmann and Philip Guston
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选择、约束和创造力案例研究：Max Beckmann 和 Philip Guston
DOI：
10.1080/10400419.2005.9651486
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发表时间：
2005
影响因子：
2.6
通讯作者：
D. Fisher
中科院分区：
文献类型：
--
作者：
P. D. Stokes;D. Fisher
提出了一种基于约束选择的创造性问题求解模型。在该模型中，约束成对出现，（a）排除可靠的解决方案和（B）促进寻找新的。最重要的约束指定了一个新的目标。其他约束源（重组的元素），任务（如何使用材料），和主题（母题，主题），然后战略性地选择，以实现目标的约束。我们先用野兽派来简要介绍这个模型，然后分析马克斯·贝克曼和菲利普·古斯顿在每个艺术家职业生涯的两个成熟阶段所选择的限制。分析，然后用来支持我们的论点，约束选择是中央的创造力。
This article presents a problem-solving model of creativity based on constraint selection. In the model, constraints come in pairs that (a) preclude reliable solutions and (b) promote search for novel ones. The most important constraint specifies a novel goal. Other constraints—source (elements for recombination), task (how materials are used), and subject (motif, theme)—are then strategically selected to realize the goal constraint. We use Fauvism to briefly introduce the model before analyzing the constraints selected by Max Beckmann and Philip Guston in the 2 mature phases of each artist's career. The analyses are then used to support our contention that constraint selection is central to creativity.