The Origin of the Work of Art
The Origin of the Work of Art
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艺术作品的起源
DOI：
10.1163/26659077-00402004
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发表时间：
2000
期刊：
影响因子：
--
通讯作者：
Freeland Charles
中科院分区：
文献类型：
--
作者：
Freeland Charles
以下内容是在 200 年 1 月 4 日至 5 日在法政大学举行的第四届人文学院上发表的。本文旨在介绍海德格尔的重要论文《艺术作品的起源》。在本文中，我讨论了以下主题：海德格尔根据 Aletheia（存在的自我揭示和隐藏）对真理概念提出质疑，作为对 techne（希腊语艺术一词，作为一种实用的、生产性的知识（Wissen））进行彻底重估的背景，其中 techne 现在不仅被视为与理论并存的一种认识方式，而且更重要的是，作为一种决定性的场所。存在的揭示。因此，艺术的现实及其“物性”特征不会被视为静态物体，而是被视为能量、活动或“工作中的存在”。技术将被视为事件，存在的事件，真理（Aletheia）发生的场所。这在海德格尔对艺术的界定或定义中达到顶峰，即艺术作为真理设置自身的场所或场所（topos，Orter；在德语中海德格尔使用的单词）。这就是艺术的“活动”，它的“现实”。最后，这一点的意义在于，它对欧洲的虚无主义经验提出了新的质疑，即“上帝之死”，或者说艺术的撤退和胜利，
The following was presented at the Fourth Collegium in the Humanities held at Thammasat University on Janu ary 4 and 5, 200 I. The paper is intended as an introduction to Heidegger's impor tant essay, "The Origin of the Work of Art". In the course of the paper, I dis cuss the following themes:Heidegger's questioning of the concept of truth in terms of Aletheia, the self disclosing and concealing of Being, as the setting for a radical revaluation of techne, (the Greek word for art, as a practical, productive knowledge (Wissen)), in which techne will now be conceived as not only a way of kno win g that stands alongside theoria, but even more, as a decisive site for the disclosure of Being. The actu ality of art, its "thingly" character, will not be seen as a static object, therefore, but as energeia, activity or "being-at work". Techne will be thought as event, an event of Being, the site for the hap pening of Truth (Aletheia) This culmi nates in Heidegger's delimitation, or definition, of art as the site or place (topos, Orter; in the German word Heidegger uses) of truth's setting-itself to-work. This is art's "activity", its "ac tuality". Finally, the significance of this is.in the way it opens a new questioning of the European experience of nihilism as the "death of God", or withdrawal of and the triumph of in the the art, which