Civic Visions: Mapping the ‘City’ Film 1900–1960
Civic Visions: Mapping the ‘City’ Film 1900–1960
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公民愿景：描绘 1900-1960 年的“城市”电影
DOI：
10.1080/14735784.2012.657912
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发表时间：
2012
期刊：
影响因子：
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通讯作者：
J. Hallam
中科院分区：
文献类型：
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作者：
J. Hallam
在城市中制作的电影和关于城市的电影为研究公民身份和公民身份的投射及其与二十世纪不断变化的城市想象的关系提供了丰富的材料来源。作为研究电影、建筑和城市空间之间关系的一部分，本文聚焦于一系列在省会城市制作和关于省会城市的电影，并由电影中的城市地图项目进行整理，探索如何通过使用地理信息系统软件(GIS)等准确的地图工具来补充文本和体裁分析。地理信息系统为电影和空间的开放式、多学科的中间探索创造了一个框架，在这个框架中，位置信息可以被绘制和视觉组织。例如，这使得能够探索不同的电影制作文化和与电影相关的做法如何在特定的时间投射各种形式的场所制作活动。本文认为，地理信息系统的可视化方法与传统的电影分析和历史背景信息相结合，可以开始绘制出一个富有情感的地方建筑。
Films made in and about cities offer a rich source of material for investigating projections of civic identity and citizenship and their relationship to the changing urban imaginary of the twentieth century. Focusing on a range of films made in and about a provincial city and collated by the ‘Mapping the City in Film’ project as part of research into the relationship between film, architecture, and urban space, this paper explores how textual and genre analysis can be complemented by the use of accurate mapping tools such as geographical information systems software (GIS). GIS creates a framework for an open ended multi-disciplinary, intermedial exploration of film and space in which location information can be mapped and visually organised. This enables, for example, an exploration of how various forms of place-making activity are projected at particular times by different cultures of film production and film-related practices. The paper argues that GIS visualisation methods in partnership with traditional film analysis and historical contextual information can begin to map an affective architecture of place.