Songs, Discos and Dancing in Kiryandongo, Uganda
Songs, Discos and Dancing in Kiryandongo, Uganda
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乌干达 Kiryandongo 的歌曲、迪斯科和舞蹈
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发表时间：
2006
期刊：
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通讯作者：
T. Kaiser
中科院分区：
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作者：
T. Kaiser
对基里扬东戈难民安置点音乐和舞蹈形式的人类学研究使我们能够了解物质和美学类别用于表达和协商身份、社会转型和政治动乱的一些方式，这些方式是积极动态的，有助于创建新的社会关系和规范。歌曲歌词涉及该团体关心的一系列问题，包括导致乌干达北部流离失所和不安全的苏丹冲突。舞蹈与视觉和行为美学相关，提供了对女性角色和社会关系变化的见解。接下来，论文关于迪斯科的最后一部分表明，这些社会活动已成为一个有争议的领域，其中上演着代际冲突和对定居点内种族间关系的担忧。该论文的结论是，基里扬东戈的居民利用音乐和舞蹈来协商相互竞争和重叠的身份。因此，它们提供了一个论坛，可以在其中主张和探索特定的阿乔利身份以及更具包容性的苏丹身份。
Anthropological study of musical and dance forms in the Kiryandongo Refugee Settlement allows us to understand some of the ways that material and aesthetic categories are employed to express and negotiate identity, social transformation and political upheaval in ways that are active dynamic and contribute to the creation of new social relations and norms. Song lyrics are found to deal with a range of issues of concern to the group, including the Sudanese conflict that led to displacement and insecurity in northern Uganda. Dancing is discussed in relation to a visual and behavioural aesthetic that provides insights into the changing roles and social relations of women in particular. Following on from this, the final section of the paper on discos suggests that these social events have become a contested domain, in which inter-generational conflict and concerns about inter-ethnic relations within the settlement are played out. The paper concludes that music and dance have been used by the residents of Kiryandongo to negotiate competing and overlapping identities. As such, they provide a forum in which both a specifically Acholi identity, as well as a more inclusive Sudanese identity, can be asserted and explored.