Landscape, music and the cartography of sound
Landscape, music and the cartography of sound
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风景、音乐和声音制图
DOI：
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发表时间：
2012
期刊：
影响因子：
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通讯作者：
George Revill
中科院分区：
文献类型：
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作者：
George Revill
如今，景观和音乐以多种方式相互渗透，被视为理所当然的界限被打破，例如古典与流行、表演者与观众、环境与合成声音、音乐与噪音之间的界限。特定地点的作品、装置和互动表演将音乐和景观并置，挑战了理解两者之间关系的既定方式。本文探讨了音乐学、社会科学和人文学科学者理解音乐与景观之间关系的一些方式。结论是，我们需要解决音乐中声音的特定品质，以便以与音乐和景观直接相关的方式与两者互动。
Today landscape and music interpenetrate in so many ways as taken for granted divisions break down, for example between classical and popular, performer and audience, environmental and composed sounds, music and noise. Site specific works, installations and interactive performance juxtapose music and landscape in ways which challenge established ways of understanding relationships between the two. This paper examines some of the ways scholars in musicology, social science and the humanities have understood the relationships between music and landscape. It concludes that we need to address the specific qualities of sound in music to engage with music and landscape in terms which connect directly with both.