From Politics to Nostalgia: The Transformation of War Memories in France during the 1960s-1970s
From Politics to Nostalgia: The Transformation of War Memories in France during the 1960s-1970s
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从政治到怀旧：20世纪60-70年代法国战争记忆的转变
DOI：
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
M. Bracke
中科院分区：
文献类型：
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作者：
M. Bracke
本文通过对三部电影的语境化讨论，探讨了20世纪60 - 70年代法国二战集体记忆的变化，所有这些电影都采用了一种自我意识的记忆政治。这些电影被视为与第二次世界大战的特殊关系的例子，这种关系在特定的政治背景下是历史上可能的。在大多数文献中，“1968年”被视为一个变化的时刻，但这里有人认为，他们构成了结束，而不是开始的一系列政治挑战的集体记忆的第二次世界大战。在1970年代，电影和公共话语中对第二次世界大战的描述越来越历史化，与当代社会脱节，因此去政治化。
This article discusses changes in collective memory of World War Two in France during the 1960s—1970s on the basis of a contextualized discussion of three films, all of which adopt, it is argued, a self-conscious politics of memory. The films are taken as examples of a particular relationship to World War Two that was historically possible in a given political context. As in most of the literature, ‘the 1968 years’ are taken as a moment of change, but it is argued here that they constituted the end rather than the start of a series of political challenges to collective memory of World War Two. During the 1970s representations of World War Two in cinema as well as public discourse more generally were increasingly historicized and disconnected from contemporary society, and thus de-politicized.