Sex and the City and Consumer Culture: Remediating Postfeminist Drama
Sex and the City and Consumer Culture: Remediating Postfeminist Drama
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欲望都市与消费文化：补救后女权主义戏剧
DOI：
10.1080/1468077032000080149
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发表时间：
2003
影响因子：
1.7
通讯作者：
J. Arthurs
中科院分区：
文献类型：
--
作者：
J. Arthurs
《欲望都市》在全球范围内对女性粉丝文化产生了巨大的影响，成为后女权主义文化争论的焦点。它的成功和影响力是数字时代塑造电视的文化和经济力量的症状，并提供了一个案例研究如何放松管制，商业化和电视扩散到多个频道，使一种新形式的性化地址，其中女性的性欲是中心。但这是通过一种具有讽刺意味的美学来表达的，这种美学对女性的生活方式以及她们与身体和身份的商品化关系提出了“同谋批评”。
Sex and the City became central to debates about postfeminist culture following its global impact at the centre of a culture of female fandom. Its success and influence is symptomatic of the cultural and economic forces shaping television in the digital era, and offers a case study of how the deregulation, commercialisation and proliferation of television into multiple channels have enabled a new form of sexualised address in which women’s sexual desire is central. But this is expressed through an ironic aesthetic which offers a ‘complicit critique’ of the women’s lifestyle and their commodified relation to their bodies and identity.