The smell of the Moon
The smell of the Moon
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月亮的味道
DOI：
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发表时间：
2015
期刊：
影响因子：
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通讯作者：
Elizabeth R. Straughan
中科院分区：
文献类型：
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作者：
Elizabeth R. Straughan
在地球上一间昏暗的房间里，一名宇航员站在一堆月球岩石之间，缓慢而刻意地执行维护任务。他/她一只手拿着抓棍，另一只手拿着煤气软管，挥舞着抓棍捡起月岩，一块块喷着月亮的味道。这幅名为《进入自负风险》的表演作品是艺术家二人组Hagen Betzwieser和Sue Corke的创作，他们在我们殖民月球时进行了合作。在这篇文章中，我考虑了嗅觉作为审美对象被这个艺术二人组展开的方式，在这样做的过程中，解开了气味的品质，这些特质传统上使气味在艺术画廊空间中的展开成为一个有问题的感觉。Betzwieser和Corke不仅在利物浦艺术与创意技术基金会的装置空间设计中利用了这些空间和时间特征，还通过将维护实践和气味-持续和短暂-结合在一起，这具有超越画廊空间的含义，为作品注入了关键的边缘。
In a darkened room on Earth, an astronaut stands amongst a collection of moon rocks slowly and deliberately performing a maintenance task. With a grab stick in one hand and gas hose in another, he/she deploys the grab stick to pick up moon rocks spraying them, one by one, with the smell of the Moon. Titled Enter at Own Risk, this performance work is the creation of artist duo Hagen Betzwieser and Sue Corke who collaborate as WE COLONISED THE MOON. In this paper I consider the way in which the sense of smell has been deployed as an aesthetic object by this art duo and in so doing, unpack the qualities of smell that have traditionally made this a problematic sense with regards to its deployment within the space of the art gallery. These are spatial and temporal qualities that have been utilized by Betzwieser and Corke not only in the design of the installation space at Liverpool’s Foundation for Art and Creative Technology but also through the bringing together of maintenance practice and smell – the durational and the ephemeral – which has implications beyond the gallery space, imbuing the work with its critical edge.