Cinematograph to Cinema
Cinematograph to Cinema
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电影胶片到电影院
DOI：
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发表时间：
2011
期刊：
影响因子：
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通讯作者：
K. Bhaumik
中科院分区：
文献类型：
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作者：
K. Bhaumik
从1897年开始的第一次电影展览开始，电影就融入了文化消费和生产领域爆发的新能量，这些能量开始以重大的方式改变印度大都会孟买的生活基调。这种新的媒介利用了创造性和创造性的能量，在一种新的城市景观制度中循环，从戏剧到公共舞蹈和音乐到现代马戏团，在一个狂热兴奋的媒体领域，报告文学和广告，以及文学领域。它还参与了城市物质基础的重组，因为城市规划者通过将文化生产安置在新的和更永久的地点来应对这一剧变。在随机和不断变化的展览和放映地点的电影摄影机的到来很快被重组为现代大众娱乐形式的“电影”。在这样做的过程中，媒体通过节目风格和所放映电影的类型和格式的快速变化而多次改变形态，其中大多数是从国外进口的。沿着，我们也开始注意到孟买制作的电影逐渐但肯定地进入这个充满活力的电影展场景。很快，它就主宰了孟买的电影文化。
Starting with the first exhibitions of film from 1897 onwards, cinema inserted itself into new kinds of energies erupting in the field of cultural consumption and production that were beginning to change the tenor of life of the Indian metropolis of Bombay in momentous ways. The new medium took advantage of the energies, creative and spectatorial, circulating through a new regime of urban spectacles, ranging from theater to public dancing and music to the modern circus, in a frenetically excitable media sphere of reportage and advertising, and in the field of literature. It also inserted itself into the restructuring of the physical basis of the city as town-planners responded to this upheaval by locating cultural production in new and more permanent locations. The arrival of the cinematograph in random and ever-changing locations of exhibition and spectating was soon restructured into the modern mass entertainment form of “cinema.” In doing so the medium shape-shifted a number of times through rapid changes in programing style and the genres and formats of films shown, mostly imported from abroad. Along the way we also start noticing the gradual but sure approach of films produced in Bombay into this vibrant scenario of film exhibition. Very soon it was to dominate film culture of Bombay.