Gods and Settlers: The Iconography of Norse Mythology in Anglo-Scandinavian Sculpture by Lilla Kopár (review)
Gods and Settlers: The Iconography of Norse Mythology in Anglo-Scandinavian Sculpture by Lilla Kopár (review)
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众神与定居者：Lilla Kopár 的盎格鲁-斯堪的纳维亚雕塑中的北欧神话意象（评论）
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发表时间：
2014
期刊：
影响因子：
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通讯作者：
S. Mcleod
中科院分区：
文献类型：
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作者：
S. Mcleod
挑战和方向。这本书承认它与罗杰·夏蒂埃的《生活秩序》、米歇尔·塞托的《创造了一个人》以及福柯的档案观念有着智力上的联系。“材料互文性”的概念既指接受理论，也指文艺复兴时期文学模仿性质的经典讨论，将早期现代和后现代结合在一起。这本书还受益于文艺复兴时期的文本的具体概念，如“拼凑”（琳达伍德布里奇）或“框架”（玛丽T。起重机），以及威廉谢尔曼，詹妮弗首脑会议，和亚历山德拉吉莱斯皮最近的工作。作者清楚地解释了他的贡献在这方面的相关性，并包括一个同样清晰的结语，帮助读者框架的相关性，他的方法为未来探索的可能途径。《一定要读》是一部研究得非常好的学术著作，是对这本书历史的杰出贡献，也是未来物质文化和文艺复兴文学研究的典范。
challenges and directions. The book acknowledges its intellectual links with Roger Chartier’s L’ordre des livres, Michel Certeau’s L’invention du quotidian, as well as with Foucauldian notions of the archival. The concept of ‘material intertextuality’ refers both to reception theory and to classical discussions on the nature of Renaissance literary imitation, bringing together the early modern and the postmodern. The book also benefits from specific notions of Renaissance textuality, such as the ideas of ‘patchwork’ (Linda Woodbridge) or ‘framing’ (Mary T. Crane), as well as the recent work of William Sherman, Jennifer Summit, and Alexandra Gillespie. The author explains clearly and with great focus the relevance of his contribution in this context, and includes an equally lucid epilogue that helps the reader frame the relevance of his approach for possible avenues of future exploration. Bound to Read is an extremely well researched piece of scholarship, an outstanding contribution to the history of the book, and a model for future research in material cultures and in Renaissance Literature.