Film and Literature: An Introduction and Reader
Film and Literature: An Introduction and Reader
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电影与文学：简介和读者
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发表时间：
1998
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通讯作者：
T. Corrigan
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作者：
T. Corrigan
导言。一、历史逆流中的电影和文学。1.电影和文学的史前。2.电影文学：从前古典电影和文学到古典形式，1895-1925年。(三)1915-1940年间电影文学价值的检验与拓展。4.《笔、纸浆和世界的危机，1940-1960》。5.学术电影和国际奇观：1960-1980。6.作为多媒体的书籍和电影：进入90年代。批评的边界和边界：电影和文学的分析范畴。7.主题、叙事和风格元素。8.流派和其他假设。三、重要文件和辩论。9.历史地位。瓦切尔·林赛，《进步与捐赠》雨果·蒙斯特伯格《Photoplay的手段》。加布里埃拉·米斯特拉尔，诗人对电影的态度。沃尔特·本雅明，机械复制时代的艺术作品。谢尔盖·艾森斯坦、狄更斯、格里菲斯和今日电影。贝拉·巴拉兹，剧本。亚历山大·阿斯特拉克，新先锋派的诞生：洛杉矶照相机-斯泰罗。安德烈·巴赞，戏剧和电影院。乔治·蓝石，《小说的局限》和《电影的局限》。P·亚当·西特尼，抒情电影。亚历山大·克鲁格，埃德加·莱茨和威尔弗里德·莱因克，Word and Film。10.当前的观点和方法。利奥·布劳迪，表演：舞台与银幕。克里斯汀·汤普森，小说、短篇小说、戏剧：影响的条件。达德利·安德鲁，改编。朱迪思·梅恩，读者和观众。米莉森特·马库斯，帕索里尼斯十日谈：用身体写作。马克·A·里德，鼓励使用黑人作家的文学力量。迈克尔·雷诺夫，迷失：梅卡斯作为散文家。琳达·E·博斯和理查德·伯特，完全无头绪？莎士比亚在20世纪90年代走红好莱坞。参考书目。索引。
Introduction. I. FILM AND LITERATURE IN THE CROSSCURRENTS OF HISTORY. 1. The Prehistory of Film and Literature. 2. Filming Literature: From Preclassical Film and Literature to Classical Form, 1895-1925. 3. Testing and Expanding the Value of Film and Literature, 1915-1940. 4. Pens, Pulp, and the Crisis of the Word, 1940-1960. 5. Academic Cinema and International Spectacles: 1960-1980. 6. Books and Movies as Multimedia: Into the 1990s. II. CRITICAL BORDERS AND BOUNDARIES: ANALYTICAL CATEGORIES FOR FILM AND LITERATURE. 7. Themes, Narratives, and Elements of Style. 8. Genres and Other Assumptions. III. MAJOR DOCUMENTS AND DEBATES. 9. Historical Positions. Vachel Lindsay, Progress and Endowment. Hugo Munsterberg, The Means of Photoplay. Gabriela Mistral, The Poet's Attitude Toward the Movies. Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction. Sergei Eisentstein, Dickens, Griffith, and the Film Today. Bela Balazs, The Script. Alexandre Astruc, The Birth of a New Avant-Garde: La Camera-Stylo. Andre Bazin, Theater and Cinema. George Bluestone, The Limits of the Novel and the Limits of the Film. P. Adam Sitney, The Lyrical Film. Alexander Kluge, Edgar Reitz, and Wilfried Reinke, Word and Film. 10. Current Perspectives and Methods. Leo Braudy, Acting: Stage vs. Screen. Kristin Thompson, Novel, Short Story, Drama: The Conditions for Influence. Dudley Andrew, Adaptation. Judith Mayne, Readership and Spectatorship. Millicent Marcus, Pasolinis Decameron: Writing with Bodies. Mark A. Reid, Literary Forces Encouraging the Use of Black Writers. Michael Renov, Lost, Lost, Lost: Mekas as Essayist. Lynda E. Boose and Richard Burt, Totally Clueless? Shakespeare Goes Hollywood in the 1990s. Bibliography. Index.