Depth Perception and the History of Three-Dimensional Art: Who Produced the First Stereoscopic Images?
Depth Perception and the History of Three-Dimensional Art: Who Produced the First Stereoscopic Images?
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DOI：
10.1177/2041669516680114
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发表时间：
2017-01
期刊：
影响因子：
1.9
通讯作者：
Brooks KR
中科院分区：
文献类型：
--
作者：
Brooks KR
艺术中三维结构表达的历史可以追溯到旧石器时代洞穴绘画中的遮挡，通过古典艺术中阴影的使用，到文艺复兴时期透视法的发展。然而，使用立体技术的历史是有争议的。虽然第一个无可争议的立体图像是由惠斯通在1838年提出的，但有人声称，雅各布·奇门蒂·达恩波利（c. 1600）可以融合产生立体深度的印象，而其他人认为，列奥纳多达芬奇的莫纳丽莎是世界上第一个立体图。在这里，我们报告的第一个定量研究的感知深度在这些作品中，除了最近的作品由萨尔瓦多达利。为了控制单眼深度线索的贡献，记录了立体和幻视呈现的深度的幅度和连贯性的评级，这些分数之间的差异揭示了立体线索的真正贡献。虽然惠斯通和达利的作品效果很明显，但在早期作品中却找不到这样的效果。因此，我们没有证据来拒绝传统的观点，即立体图像的第一个生产者是查尔斯·惠斯通爵士。
The history of the expression of three-dimensional structure in art can be traced from the use of occlusion in Palaeolithic cave paintings, through the use of shadow in classical art, to the development of perspective during the Renaissance. However, the history of the use of stereoscopic techniques is controversial. Although the first undisputed stereoscopic images were presented by Wheatstone in 1838, it has been claimed that two sketches by Jacopo Chimenti da Empoli (c. 1600) can be to be fused to yield an impression of stereoscopic depth, while others suggest that Leonardo da Vinci’s Mona Lisa is the world’s first stereogram. Here, we report the first quantitative study of perceived depth in these works, in addition to more recent works by Salvador Dalí. To control for the contribution of monocular depth cues, ratings of the magnitude and coherence of depth were recorded for both stereoscopic and pseudoscopic presentations, with a genuine contribution of stereoscopic cues revealed by a difference between these scores. Although effects were clear for Wheatstone and Dalí’s images, no such effects could be found for works produced earlier. As such, we have no evidence to reject the conventional view that the first producer of stereoscopic imagery was Sir Charles Wheatstone.