‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers
‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers
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“只是支离破碎”？对古典芭蕾舞演员的身体、衰老、伤害和职业的探索
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发表时间：
2006
期刊：
影响因子：
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通讯作者：
B. Turner
中科院分区：
文献类型：
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作者：
S. Wainwright;B. Turner
芭蕾是身体社会学中一个被忽视的话题，原因尚不清楚。本文从三个层面展开论述：一是作为对前舞蹈家“生活经验”的体现，二是作为布迪厄理论图式的应用;第三，作为对激进的社会建构主义身体观的批判，我们描述了皇家芭蕾舞团舞者对自己身体、衰老、我们借鉴布迪厄的惯习和文化资本的概念，在我们的调查体现。衰老和受伤是潜在的顿悟，鼓励舞者反思他们的身体特征和职业生涯。我们认为，舞者的身体资本的下降削弱了激进的社会建构主义的views.This研究，虽然在狭窄的领域内的舞蹈，阐明了更广泛的身体，自我和社会之间的关系。
Ballet is, for reasons that are unclear, a neglected topic in the sociology of the body. Our article works on three levels: firstly, as an account of ex-dancers’‘lived experience’ of embodiment; secondly, as an application of Bourdieu’s theoretical schema; and thirdly, as a philosophically grounded critique of radical social constructionist views of the body.We describe Royal Ballet dancers’ perceptions of their bodies, of ageing, of injury and of their careers.We draw on Bourdieu’s concepts of habitus and cultural capital in our investigation of embodiment. Ageing and injury are potential epiphanies that encourage dancers to reflect on their embodied habitus and their career. We argue that the decline in a dancer’s physical capital undermines radical social constructionist views.This study, although set within the narrow field of dance, illuminates the broader relationships between the body, self, and society.