Music Cities
Music Cities
复制标题
音乐城市
DOI：
10.1007/978-3-030-35872-3
复制
发表时间：
2020
期刊：
影响因子：
--
通讯作者：
Allan Watson
中科院分区：
文献类型：
--
作者：
C. Ballico;Allan Watson
这本书提供了一个批判性的学术评估的“音乐城市”作为一种形式的城市文化政策，已敏锐地采用了政策界在地球仪，但迄今为止只受到有限的经验和概念的审讯。特别关注遗产，规划，旅游和监管措施，这本书探讨了当地的地理，社会和经济背景和特殊性如何塑造音乐城市政策的性质（或缺乏）在特定的城市。这本书扩大了对音乐城市的学术审问，包括像旧金山弗朗西斯科、利物浦、金奈、哈瓦那、圣胡安、伯明翰和南安普顿这样多样化的城市。贡献者包括学术和专业从业者，因此，这本书代表了一个最多样化的尝试，但批判性地参与音乐城市作为一个全球文化政策的概念。
This book provides a critical academic evaluation of the ‘music city’ as a form of urban cultural policy that has been keenly adopted in policy circles across the globe, but which as yet has only been subject to limited empirical and conceptual interrogation. With a particular focus on heritage, planning, tourism and regulatory measures, this book explores how local geographical, social and economic contexts and particularities shape the nature of music city policies (or lack thereof) in particular cities. The book broadens academic interrogation of music cities to include cities as diverse as San Francisco, Liverpool, Chennai, Havana, San Juan, Birmingham and Southampton. Contributors include both academic and professional practitioners and, consequently, this book represents one of the most diverse attempts yet to critically engage with music cities as a global cultural policy concept.