American History through Music: Music of the World War II Era
American History through Music: Music of the World War II Era
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通过音乐了解美国历史：二战时期的音乐
DOI：
10.1080/03007760903233506
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发表时间：
2010
影响因子：
0.5
通讯作者：
R. Rawlins
中科院分区：
文献类型：
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作者：
R. Rawlins
那些在耶鲁百老汇大师系列，似乎是一个更有益的格式。我当然会赞成更多的纲要处理音乐剧歌曲，特别是在缺乏出版的剧本，分数，和录音的音乐剧在20世纪40年代之前。令人振奋的是，学者和出版商对音乐剧如此感兴趣。希沙克百科全书的出版反映了长期以来为承认音乐剧作为学术研究的合法主题而进行的斗争。正如Kim Kowalke在他对最近关于音乐剧的文献的评论中非常清楚地指出的那样，来自不同学科的学者正在致力于将不同的批评方法和观点引入到对这一类型的研究中，并采用“更广泛和更“雄心勃勃”的历史，分析，概念，批判，文化，[和]社会学策略和议程“（689）。
those in the Yale Broadway Masters series, seem a more beneficial format. I would certainly be in favor of more compendia dealing with musical theater songs—especially in light of the dearth of published scripts, scores, and recordings of musicals prior to the 1940s. It is heartening that scholars and publishers are taking such an interest in musical theater. The publication of Hischak’s encyclopedia reflects the long fought-for recognition of musical theater as a legitimate subject of academic inquiry. As Kim Kowalke has made abundantly clear in his review of recent literature on musical theater, scholars from a variety of disciplines are engaging in bringing diverse critical methods and points of view to the study of the genre with “broader and more ‘ambitious’ historical, analytical, conceptual, critical, cultural, [and] sociological strategies and agendas” (689).