The Synchronous War Novel: Ordeal of the Unarmed Person in Serhiy Zhadan's Internat
The Synchronous War Novel: Ordeal of the Unarmed Person in Serhiy Zhadan's Internat
复制标题
同步战争小说：谢尔希·扎丹《国际》中手无寸铁的人的磨难
DOI：
10.1017/slr.2019.95
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发表时间：
2019
期刊：
影响因子：
0.9
通讯作者：
Tanya Zaharchenko
中科院分区：
文献类型：
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作者：
Tanya Zaharchenko
在Serhiy Zhadan的最新小说Internat（2017）中，主人公集中体现了今天受到审查的典型的东乌克兰，而他的旅程则描绘了通过创伤工作。他的转变描绘了最终摆脱忧郁时，作为对暴力的回应，过去被现在所取代。我引出了这个过程的一些关键符号和特征，我称之为触发式哀悼，并注意到实时威胁在启动它的作用。本文不仅在故事的情节弧线和正在进行的战争之间建立了联系，而且从创伤理论的角度来看，乌克兰的过去和现在之间也有联系。文章的四个部分（关于转型，空虚，缺陷和解毒剂）提出并扩展了这样一个概念，即Internat是一部同步的战争小说-一种与正在展开的战争平行出现的叙事，并密切关注，并研究其对乌克兰学术的意义，斯拉夫研究，以及超越。文学背景下的创伤研究是这一分析的核心，后殖民研究提供了一些有用的说明性相似之处。
In Serhiy Zhadan's recent novel Internat (2017), the protagonist epitomizes the quintessential east Ukrainian under scrutiny today, while his journey depicts working through trauma. His transformation portrays the ultimate shedding of melancholy when, in response to violence, the past is replaced by the present. I elicit some of the key symbols and features of this process, which I call triggered mourning, and attend to the role of real-time menace in initiating it. This article draws connections not only between the story's plot arc and the ongoing war, but also between Ukraine's past and present from the perspective of trauma theory. The four sections of the article (on the transformation, the void, the defect, and the antidote) propose and expand upon the notion that Internat is a synchronous war novel—a narrative that emerges parallel to, and closely entwined with, unfolding warfare—and examine its significance for scholarship on Ukraine, for Slavic studies, and beyond. Trauma studies in the context of literature are central to this analysis, with postcolonial studies providing some helpful illustrative parallels.