Empowering audiences to measure quality
Empowering audiences to measure quality
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使受众能够衡量质量
DOI：
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发表时间：
2010
期刊：
影响因子：
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通讯作者：
H. Glow
中科院分区：
文献类型：
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作者：
Jennifer Radbourne;K. Johanson;H. Glow
本文探讨了英国戏剧观众的政治表征的发展，从拿破仑时代到1809年的OP骚乱，以证明观众长期以来被认为具有政治意义，而不仅仅是“娱乐”。早期的商业剧院观众被认为是一群威胁社会秩序的主体。在南北战争时期，剧院成为政治讨论和异议的场所，也是新兴的公民公共场所。到了世纪早期，剧院业主开始将观众重新定义为消费者市场。每一种表述都继续出现在后来的话语领域，每一种都有争议，争议都以政治术语表达。
This paper explores developments in the political representations of English theater audiences from the Elizabethan era to the 1809 OP riots, to demonstrate that audiences were long considered politically significant, not just ‘mere entertainment.’ Early commercial theater audiences were conceived by the Elizabethan state as crowds of subjects that threatened social order. Through the Civil War era, theaters became places of political discussion and dissent and of emerging publics of citizens. By the early nineteenth century theater owners began to reframe audiences as markets of consumers. Each representation continued to appear in later discursive fields, each was contested, and the disputes were couched in political terms.