Kyoto's Renaissance: Ancient Capital for Modern Japan. Edited by John Breen, Maruyama Hiroshi, and Takagi Hiroshi. Folkstone: Renaissance Books, 2020. 254 pages. Hardcover, £65.00. ISBN 978-1-898823-92-6.
Kyoto's Renaissance: Ancient Capital for Modern Japan. Edited by John Breen, Maruyama Hiroshi, and Takagi Hiroshi. Folkstone: Renaissance Books, 2020. 254 pages. Hardcover, £65.00. ISBN 978-1-898823-92-6.
复制标题
京都的文艺复兴：现代日本的古都。约翰·布林、丸山宏和高木宏编辑：文艺复兴书籍，2020 年。精装版，65.00 英镑。
DOI：
10.1017/s1479591420000613
复制
发表时间：
2021
影响因子：
0.6
通讯作者：
H. Fuess
中科院分区：
文献类型：
--
作者：
H. Fuess
such as the monk Qisong who severely criticized Han Yu. It is pertinent at this juncture to cite another example of a Buddhist who venerated Han Yu: Zhiyuan 智圓 (976–1022). In his “Discussion on imitating Han Yu” 師韓議, he implicitly adopted Han Yu’s logic to imitate the intentions of sages rather than their words. He iterated that Buddhists who desire to imitate Han Yu should devote themselves to Buddhism just as Han Yu devoted himself to Confucianism. Unlike Liu Zongyuan’s censure of Han Yu or Wang Ling’s cross-examination, Zhiyuan derived from Han Yu’s text the logic that Buddhist belief is congruent with attempts to imitate Han Yu. Therefore, the instance of Zhiyuan evinces that the form-heart discrepancy rhetoric is also an efficient means of reconciling Han Yu and Buddhism. Further research initiatives probing the form-heart discrepancy rhetoric will enrich scholarly discussions on the conceptualization of barbarians, which this book clearly outlines from a historical perspective. As a final note, apart from its productive historical context, Yan Shao-yun’s study offers valuable exemplars of how communities can accomplish reconciliation with Others.