As You Like It: The Outlaw Court
As You Like It: The Outlaw Court
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如你所愿:法外法庭
DOI:
10.1007/978-1-349-20881-4_6
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发表时间:
1990
期刊:
影响因子:
--
通讯作者:
John Turner
中科院分区:
文献类型:
--
作者:
G. Holderness;Nick Potter;John Turner
It is often an advantage, in order to fill out our sense of a play’s ‘conditions of possibility’, to consider its occasion. In a provocative essay, Leonard Tennenhouse offers a starting point for such a consideration, because he implies that the plays in which he is interested have a function.4He explains this function in terms of a display of interactions of power which give the plays an almost ritual quality. Tennenhouse supposes that the transactions of power which he sees encoded in the drama have a kind of illustrative or explanatory function, displaying in order to show, to reveal, and to impress. The plays are almost solemn enactments of particularly tricky moments in the transactions of power within Elizabethan society, serving to offer pictures of the successful negotiations of such moments, but revealing under analysis the sleight of hand by which this has been accomplished. It is not difficult to see how the plays might come to resemble, say, a royal function, such as a Coronation, a social ritual by means of which a meaning is established. Such rituals show what they do. His treatment of the moment in the last act ofThe Merchant of Venicewhen Portia tells Antonio that three of his ‘argosies’ are ‘safely come to port’ is a fair illustration of the method. He argues that this represents a handing back to Antonio of a patriarchal power temporarily usurped by Portia.