The intention/reception project.
The intention/reception project.
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意向/接待项目。
DOI：
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发表时间：
2006
期刊：
影响因子：
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通讯作者：
L. Landy
中科院分区：
文献类型：
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作者：
L. Landy
意图/接受（I/R）项目关注电声（E/A）作品中作曲家意图和听众反应之间的关系。该项目的第一阶段侧重于包含或被认为包含现实世界的声音参考（RWE/A）的E/A成分。该方法包括介绍听力受试者不知道的作品，然后评估他们的听力体验。通过反复聆听和介绍作曲家的意图表达（通过作品的标题，灵感，作曲家意图传达的元素，最终作曲过程本身的元素-简而言之，作品的“戏剧性”）来监测听力反应。本文的目的是研究在何种程度上熟悉有助于获得和欣赏，以及在何种程度上意图和接受满足在这个特定的语料库的E/A艺术音乐。本文介绍了I/R项目概述其背景，它的上下文，并提出有关的设计和操作的方法。此后，将分享迄今为止发现的一些关键结果，包括首次展示的测试数据，这些数据构成了最近完成的博士论文结论的基础。
The Intention/Reception (I/R) project concerns an investigation of the relationship between composer intention and listener response in electroacoustic (E/A) compositions. Phase one of the project focuses on E/A compositions that contain or are perceived to contain real-world sound references (RWE/A) . The methodology involves introducing works that are unknown to the listening subjects and then evaluating their listening experience. Through repeated listening and the introduction of the composers' articulation of intent (through a work's title, inspiration, elements that the composer intends to be communicated, eventually elements of the compositional process itself – in short, the ‘dramaturgy’ of the work) listening responses are monitored. The purpose here is to investigate to what extent familiarity contributes to access and appreciation and to what extent intention and reception are meeting in this particular corpus of E/A art music. This paper offers an introduction to the I/R project outlining its background, its context and presenting pertinent points concerning the design and operation of its methodology. Following this, some of the key results discovered thus far, including the first presentation of test data that formed the basis of the conclusions of a recently completed doctoral thesis, will be shared.